A
MAZE
IN
ZAZAZA ENTERS AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
26 |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
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4+3 |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
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1+1+5 |
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26 |
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I |
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1 |
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7 |
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4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
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8+3 |
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1+1 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
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2+3+6 |
= |
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1+1 |
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26 |
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I |
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1 |
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4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
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3+5+1 |
= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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26 |
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1 |
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1 |
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1 |
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+ |
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occurs |
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3 |
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2 |
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2 |
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2 |
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+ |
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occurs |
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3 |
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3 |
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3 |
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3 |
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+ |
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occurs |
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3 |
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4 |
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4 |
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4 |
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+ |
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occurs |
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3 |
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1+2 |
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5 |
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5 |
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5 |
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+ |
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occurs |
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3 |
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1+5 |
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6 |
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6 |
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6 |
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+ |
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occurs |
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3 |
= |
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1+8 |
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7 |
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7 |
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7 |
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+ |
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occurs |
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3 |
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2+1 |
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8 |
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8 |
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8 |
+ |
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occurs |
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3 |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
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occurs |
x |
2 |
= |
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1+8 |
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26 |
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4+5 |
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2+6 |
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1+2+6 |
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5+4 |
26 |
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I |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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26 |
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I |
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BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
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5 |
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18 |
18 |
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2 |
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35 |
8 |
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3 |
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25 |
7 |
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4 |
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5 |
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76 |
22 |
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4 |
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48 |
21 |
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6 |
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55 |
28 |
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2 |
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2 |
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27 |
9 |
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9 |
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10 |
|
133 |
61 |
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9 |
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121 |
49 |
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9 |
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2 |
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23 |
14 |
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1 |
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9 |
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65 |
29 |
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First Total |
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3+5 |
|
5+7 |
Add to Reduce |
9+9+5 |
2+6+6 |
5+9 |
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1+4 |
|
1+8 |
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Second Total |
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1+2 |
Reduce to Deduce |
2+3 |
1+4 |
1+5 |
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Essence of Number |
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ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
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- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
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1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
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2 |
- |
T |
= |
2 |
- |
3 |
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58 |
13 |
4 |
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3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
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4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
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5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
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6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
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7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
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8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
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4 |
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9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
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- |
- |
42 |
- |
40 |
Add |
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4+5 |
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4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
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1+8 |
1+4 |
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9 |
- |
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Deduce |
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ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
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1 |
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8 |
8 |
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1 |
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5 |
5 |
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1 |
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18 |
9 |
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1 |
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15 |
6 |
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28 |
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4 |
|
64 |
28 |
28 |
1 |
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1 |
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15 |
6 |
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1 |
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14 |
5 |
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1 |
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5 |
5 |
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16 |
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3 |
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34 |
16 |
16 |
7 |
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1 |
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20 |
2 |
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1 |
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23 |
5 |
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1 |
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15 |
6 |
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13 |
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3 |
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58 |
13 |
13 |
4 |
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1 |
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20 |
2 |
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1 |
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8 |
8 |
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1 |
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18 |
9 |
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1 |
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5 |
5 |
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1 |
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5 |
5 |
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29 |
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5 |
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56 |
29 |
29 |
2 |
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1 |
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6 |
6 |
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1 |
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15 |
6 |
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1 |
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21 |
3 |
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1 |
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18 |
9 |
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24 |
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4 |
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60 |
24 |
24 |
6 |
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1 |
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6 |
6 |
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1 |
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9 |
9 |
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1 |
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22 |
4 |
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1 |
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5 |
5 |
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24 |
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4 |
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42 |
24 |
24 |
6 |
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1 |
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19 |
10 |
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1 |
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9 |
9 |
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1 |
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24 |
6 |
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16 |
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3 |
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52 |
25 |
16 |
7 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
5 |
|
65 |
29 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
|
5 |
|
49 |
31 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
42 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
4+0 |
Add to Reduce |
5+2+2 |
2+4+3 |
2+2+5 |
|
|
|
|
|
7+0 |
4+2 |
|
2+4 |
6+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
|
4 |
|
64 |
28 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
3 |
|
34 |
16 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
3 |
|
58 |
13 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
|
5 |
|
56 |
29 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
60 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
42 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
3 |
|
52 |
25 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
5 |
|
65 |
29 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
|
5 |
|
49 |
31 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
42 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
4+0 |
Add to Reduce |
5+2+2 |
2+4+3 |
2+2+5 |
|
|
|
|
|
7+0 |
4+2 |
|
2+4 |
6+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
4+0 |
Add to Reduce |
5+2+2 |
2+4+3 |
2+2+5 |
|
|
|
|
|
7+0 |
4+2 |
|
2+4 |
6+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
4+0 |
Add to Reduce |
5+2+2 |
2+4+3 |
2+2+5 |
|
|
|
|
|
7+0 |
4+2 |
|
2+4 |
6+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
6 |
MATTER |
77 |
23 |
5 |
15 |
Add to Reduce |
|
|
|
1+5 |
Reduce to Deduce |
1+7+1 |
7+2 |
1+8 |
|
Essence of Number |
|
|
|
HOLY BIBLE
REVELATION
C 13 V 16
13
I am Alpha and Omega, the beginning and the end, the first and the last.
16
I Jesus have sent mine angel to testify unto you these things in the churches.
I am the root and the offspring of David, and the bright and morning star.
HOLY BIBLE
REVELATION
C 13 V 16
I
AM ALPHA AND OMEGA THE BEGINNING AND THE END THE FIRST AND THE LAST
I
AM
THE ROOT AND OFF SPRING OF DAVID AND THE BRIGHT AND MORNING STAR
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
|
|
|
- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
|
16 |
Second Total |
|
|
|
- |
- |
- |
|
1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
|
Essence of Number |
|
|
9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
G |
|
7 |
|
3 |
GOD |
26 |
17 |
8 |
M |
|
4 |
|
4 |
MIND |
40 |
22 |
4 |
|
|
13 |
|
10 |
First Total |
|
|
|
|
|
1+3 |
|
1+0 |
Add to Reduce |
9+9 |
5+4 |
1+8 |
|
|
4 |
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
4 |
|
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
DIVINE |
63 |
36 |
9 |
9 |
DIMENSION |
102 |
48 |
|
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+9+8 |
9+9 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
|
Essence of Number |
|
|
|
A |
|
1 |
|
1 |
A |
1 |
1 |
1 |
M |
|
4 |
|
10 |
MYSTERIOUS |
164 |
47 |
2 |
V |
|
4 |
|
5 |
VOICE |
54 |
27 |
9 |
I |
= |
I |
- |
2 |
IN |
23 |
14 |
5 |
T |
= |
3 |
|
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
|
5 |
NIGHT |
58 |
31 |
4 |
|
|
18 |
|
26 |
|
|
|
|
|
|
1+8 |
|
2+6 |
|
3+3+3 |
1+3+5 |
2+7 |
|
|
9 |
|
|
|
|
|
|
"There are 333 prophecies all performed in one person, Jesus Christ."
MORE THAN A CARPENTER by Josh McDowell - Secular Web
infidels.org/library/modern/gaunilo2/more.html
The Fool feels that he must look elsewhere for any possible truth about this man that McDowell says is 'More Than a Carpenter.'
Review of More Than a Carpenter by Josh McDowell
reviewed "In Behalf of the Fool" (1980)
The Fool recently had the pleasure of hearing Josh McDowell entertain a packed house, mainly of college students, on the topic of "Maximum Sex." The audience was snuggled together on the rug of a college cafeteria and listened attentively as he did a mildly suggestive stand-up night club type comic routine--interspersed with God talk and gentle admonitions about sex, both minimum and maximum.
Earlier in the day, the Fool had heard McDowell talk in the Free Speech area on the same campus. The main point of the earlier talk seemed to be the statistical improbability of Jesus not being God. McDowell said, "There are 333 prophecies all performed in one person, Jesus Christ." The Fool kept wondering what would happen mathematically if just one of the alleged prophecies turned out to be false.
MORE THAN A CARPENTER
Josh Mc Dowell 1977
Page 58 (number omitted)
Chapter
9
"Will the Real Messiah Please Stand up"
7 |
MESSIAH |
- |
- |
- |
- |
M+E |
18 |
9 |
|
- |
S+S |
38 |
20 |
|
- |
I |
9 |
9 |
|
- |
A+H |
9 |
9 |
|
7 |
MESSIAH |
74 |
47 |
29 |
- |
- |
7+4 |
4+7 |
2+9 |
7 |
MESSIAH |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
7 |
MESSIAH |
2 |
2 |
2 |
THE ART OF MEMORY
FRANCIS A. YATES 1979
THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE
Page 135 (number omitted)
"No study of Shakespeare can begin without some reference to Marlowe, the predecessor, and his mighty line."
"Marlowe's famous play, Docter Faustus is closely based on the English translation of the German Faust-Buch (1587)"
"Page 139
He turns to ask / Page 140 / Mephistopheles about divine astrology, about the elements, and the spheres of the planets. He still has scholarly instincts, and can hear echoes of the universal harmony, although damned.
Awaiting damnation he calls on Christ, and there comes the famous line
" See see where Christs bloud streames in the firmament.11"
SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
W |
|
5 |
|
5 |
WHERE |
59 |
32 |
5 |
C |
= |
3 |
- |
7 |
CHRISTS |
96 |
33 |
6 |
B |
= |
2 |
- |
5 |
BLOUD |
54 |
18 |
9 |
S |
= |
1 |
- |
8 |
STREAMES |
100 |
28 |
1 |
I |
= |
9 |
|
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
9 |
FIRMAMENT |
99 |
45 |
9 |
|
|
33 |
|
45 |
|
|
|
|
|
|
3+3 |
|
4+5 |
|
5+2+2 |
2+0+7 |
4+5 |
|
|
6 |
|
|
|
|
|
|
AMEN ALL MEN ALL MEN AMEN
AMEN ALLWOMEN ALL WOMEN AMEN
4 |
AMEN |
33 |
15 |
6 |
3 |
THE |
33 |
15 |
6 |
4 |
NAME |
33 |
15 |
6 |
11 |
First Total |
|
|
|
1+1 |
Add to Reduce |
9+9 |
4+5 |
1+8 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
Essence of Number |
|
|
|
THE ART OF MEMORY
FRANCIS A. YATES 1966
THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY
Page 21
"The Ad Herennium was a well known and much used text in the Middle Ages when it had an immense prestige because it was thought to be by Cicero. It was therefore believed that the precepts for the artificial memory which it expounded had been drawn up by Tullius himself"
Page 32
"Though the medieval tradition which assigned the authorship of Ad Herennium to 'Tullius' was wrong in fact, it was not wrong in its inference that the art of memory was practised and recommended by Tullius."
Page 282
"By the THE LADDER OF MINERVA we rise from the first to the last..."
B |
|
2 |
|
2 |
BY |
27 |
9 |
9 |
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
6 |
LADDER |
44 |
26 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
M |
= |
4 |
- |
7 |
MINERVA |
82 |
37 |
1 |
W |
= |
5 |
|
2 |
WE |
28 |
10 |
1 |
R |
= |
9 |
|
4 |
RISE |
51 |
24 |
6 |
F |
= |
6 |
|
4 |
FROM |
52 |
25 |
7 |
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
5 |
FIRST |
72 |
27 |
9 |
T |
= |
2 |
|
2 |
TO |
35 |
8 |
8 |
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
|
4 |
LAST |
52 |
7 |
7 |
|
|
52 |
|
47 |
|
|
|
|
|
|
5+2 |
|
4+7 |
|
5+6+3 |
2+3+0 |
7+7 |
|
|
7 |
|
11 |
|
|
|
|
|
|
|
|
1+1 |
|
1+4 |
|
1+4 |
|
|
7 |
|
2 |
|
|
|
|
THE NUCLEAR FAMILY 1969
EHT NAMUH 1973
AFRICAN NIGHTMARE SPECTRE OF FAMINE 1975
EHT NAMUH 1977
THE JOURNEYMAN 1977
26 |
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I |
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R |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
= |
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4+3 |
= |
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= |
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= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
= |
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1+1+5 |
= |
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= |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
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+ |
= |
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8+3 |
= |
|
1+1 |
|
= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
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+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
= |
|
26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
= |
|
= |
|
26 |
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R |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
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3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+2 |
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5 |
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5 |
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5 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+5 |
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6 |
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6 |
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6 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+8 |
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7 |
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7 |
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7 |
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+ |
= |
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occurs |
x |
3 |
= |
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2+1 |
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8 |
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8 |
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8 |
+ |
= |
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occurs |
x |
3 |
= |
|
2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
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occurs |
x |
2 |
= |
|
1+8 |
|
26 |
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I |
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R |
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4+5 |
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2+6 |
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1+2+6 |
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5+4 |
26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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26 |
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I |
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R |
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- |
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- |
- |
- |
8 |
9 |
14 |
15 |
19 |
24 |
26 |
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1+1+5 |
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= |
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- |
- |
8 |
9 |
5 |
6 |
1 |
6 |
8 |
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4+3 |
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= |
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- |
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- |
- |
- |
8 |
9 |
14 |
15 |
19 |
24 |
26 |
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|
1+1+5 |
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|
= |
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- |
- |
8 |
9 |
5 |
6 |
1 |
6 |
8 |
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4+3 |
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= |
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-- |
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- |
- |
- |
8 |
9 |
14 |
15 |
19 |
24 |
26 |
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|
1+1+5 |
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|
= |
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|
- |
- |
8 |
9 |
5 |
6 |
1 |
6 |
8 |
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4+3 |
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= |
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- |
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- |
- |
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1 |
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occurs |
x |
1 |
= |
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1 |
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- |
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- |
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3 |
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- |
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4 |
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- |
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5 |
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occurs |
x |
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= |
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5 |
|
- |
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6 |
|
6 |
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occurs |
x |
|
= |
|
1+2 |
3 |
|
- |
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- |
- |
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8 |
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occurs |
x |
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= |
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1+6 |
|
- |
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occurs |
x |
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= |
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1+6 |
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2+9 |
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4+3 |
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2+5 |
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1+6 |
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8 |
9 |
5 |
6 |
1 |
6 |
8 |
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1+1 |
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- |
- |
8 |
9 |
14 |
15 |
19 |
24 |
26 |
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1+1+5 |
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= |
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= |
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- |
8 |
9 |
5 |
6 |
1 |
6 |
8 |
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4+3 |
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= |
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= |
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- |
- |
8 |
9 |
14 |
15 |
19 |
24 |
26 |
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1+1+5 |
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= |
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= |
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- |
8 |
9 |
5 |
6 |
1 |
6 |
8 |
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4+3 |
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= |
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= |
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- |
- |
8 |
9 |
14 |
15 |
19 |
24 |
26 |
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1+1+5 |
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= |
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= |
|
- |
8 |
9 |
5 |
6 |
1 |
6 |
8 |
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4+3 |
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= |
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= |
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- |
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1 |
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occurs |
x |
1 |
= |
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1 |
- |
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5 |
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occurs |
x |
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= |
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5 |
- |
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6 |
|
6 |
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occurs |
x |
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= |
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1+2 |
3 |
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8 |
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occurs |
x |
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= |
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1+6 |
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occurs |
x |
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= |
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2+9 |
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4+3 |
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2+5 |
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8 |
9 |
5 |
6 |
1 |
6 |
8 |
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1+1 |
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- |
8 |
9 |
14 |
15 |
19 |
24 |
26 |
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1+1+5 |
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- |
8 |
9 |
5 |
6 |
1 |
6 |
8 |
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4+3 |
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- |
H |
- |
- |
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Z |
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- |
8 |
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8 |
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1+6 |
= |
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- |
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I |
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X |
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- |
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9 |
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6 |
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1+5 |
= |
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- |
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N |
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S |
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- |
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5 |
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1 |
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- |
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O |
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- |
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6 |
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8 |
9 |
5 |
6 |
1 |
6 |
8 |
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4+3 |
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2+5 |
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8 |
9 |
14 |
15 |
19 |
24 |
26 |
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....
4 |
|
64 |
28 |
1 |
3 |
|
34 |
16 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
39 |
12 |
3 |
- |
4 |
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O |
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- |
- |
- |
8 |
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6 |
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1+4 |
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- |
- |
26 |
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15 |
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4+1 |
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- |
- |
- |
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5 |
9 |
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1+4 |
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- |
- |
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5 |
18 |
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2+3 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
26 |
5 |
18 |
15 |
|
|
|
6+4 |
|
|
1+0 |
|
- |
- |
8 |
5 |
9 |
6 |
|
|
|
2+8 |
|
|
1+0 |
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
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- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
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|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
|
|
|
|
- |
|
|
2+8 |
|
|
|
|
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
9 |
6 |
|
|
1+0 |
|
|
|
|
1+0 |
8 |
4 |
|
|
|
O |
|
|
|
|
|
|
|
|
4 |
|
|
|
O |
|
|
|
|
|
|
|
- |
- |
8 |
|
|
6 |
|
|
|
1+4 |
|
|
|
|
- |
26 |
|
|
15 |
|
|
|
4+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
9 |
|
|
|
|
1+4 |
|
|
|
|
- |
|
5 |
18 |
|
|
|
|
2+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
26 |
5 |
18 |
15 |
|
|
|
6+4 |
|
|
1+0 |
|
- |
8 |
5 |
9 |
6 |
|
|
|
2+8 |
|
|
1+0 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
8 |
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
2+8 |
|
|
|
|
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
9 |
6 |
|
|
1+0 |
|
|
|
|
1+0 |
4 |
|
|
|
O |
|
|
|
|
|
|
|
|
4 |
|
64 |
28 |
|
3 |
|
34 |
16 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
39 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
5 |
|
|
|
|
1+1 |
|
|
= |
|
|
|
- |
- |
15 |
14 |
|
|
|
|
2+9 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
5 |
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
15 |
14 |
5 |
|
|
|
3+4 |
|
|
|
|
|
|
- |
- |
6 |
5 |
5 |
|
|
|
1+6 |
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
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|
|
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|
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|
|
|
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|
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|
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|
|
|
|
|
|
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
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|
34 |
3 |
|
|
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|
|
|
|
|
|
|
3+4 |
- |
|
|
|
|
|
1+1 |
|
|
- |
|
1+6 |
|
- |
7 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
5 |
5 |
|
|
|
|
|
|
|
- |
- |
|
7 |
3 |
|
|
|
|
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|
|
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|
|
|
|
|
- |
- |
|
- |
6 |
5 |
|
|
|
|
1+1 |
|
|
= |
|
|
|
- |
15 |
14 |
|
|
|
|
2+9 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
5 |
|
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- |
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5 |
|
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|
|
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|
|
|
|
- |
- |
|
- |
15 |
14 |
5 |
|
|
|
3+4 |
|
|
|
|
|
|
- |
6 |
5 |
5 |
|
|
|
1+6 |
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
1+1 |
|
|
- |
|
1+6 |
|
- |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
5 |
5 |
|
|
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- |
- |
|
3 |
|
|
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- |
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- |
- |
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|
|
6 |
|
|
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|
= |
|
= |
|
- |
|
|
|
15 |
|
|
|
1+5 |
= |
|
= |
|
- |
|
|
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|
|
|
|
|
|
|
- |
- |
|
2 |
5 |
|
|
|
|
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= |
|
= |
|
- |
|
20 |
23 |
|
|
|
|
4+3 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
20 |
23 |
15 |
|
|
|
5+8 |
= |
|
1+3 |
|
- |
|
2 |
5 |
6 |
|
|
|
1+3 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
|
3 |
- |
- |
|
- |
|
|
|
|
|
|
|
|
4 |
- |
- |
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
--- |
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
7 |
- |
|
|
|
|
|
|
|
|
|
|
|
8 |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
9 |
- |
- |
|
- |
|
|
|
|
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|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
3+2 |
|
|
|
- |
|
|
1+3 |
- |
|
|
- |
1+3 |
|
|
|
|
|
|
|
|
|
|
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|
|
- |
|
2 |
5 |
6 |
|
|
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|
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- |
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|
|
- |
|
|
|
6 |
|
|
|
|
= |
|
= |
|
|
|
|
15 |
|
|
|
1+5 |
= |
|
= |
|
|
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|
|
- |
|
2 |
5 |
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|
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= |
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= |
|
|
20 |
23 |
|
|
|
|
4+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
20 |
23 |
15 |
|
|
|
5+8 |
= |
|
1+3 |
|
|
2 |
5 |
6 |
|
|
|
1+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
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occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
1+3 |
- |
|
|
- |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
5 |
6 |
|
|
|
|
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|
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- |
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|
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|
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|
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|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
|
|
|
|
|
|
|
|
= |
|
|
|
- |
- |
|
8 |
|
|
|
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|
|
|
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|
= |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
2 |
|
9 |
5 |
5 |
|
|
|
2+1 |
|
|
= |
|
|
|
- |
- |
20 |
|
18 |
5 |
5 |
|
|
|
4+8 |
|
|
1+2 |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
20 |
8 |
18 |
5 |
5 |
|
|
|
5+6 |
|
|
1+1 |
|
|
|
- |
- |
2 |
8 |
9 |
5 |
5 |
|
|
|
2+9 |
|
|
1+1 |
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
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|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
- |
|
|
|
|
|
|
|
2+4 |
|
|
|
|
2+9 |
|
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
9 |
5 |
5 |
|
|
|
|
|
|
|
1+1 |
|
|
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|
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|
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|
|
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R |
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- |
- |
|
- |
|
8 |
|
|
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|
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|
|
|
|
= |
|
|
|
- |
|
8 |
|
|
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|
|
|
|
|
|
= |
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
2 |
|
9 |
5 |
5 |
|
|
|
2+1 |
|
|
= |
|
|
|
- |
20 |
|
18 |
5 |
5 |
|
|
|
4+8 |
|
|
1+2 |
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
20 |
8 |
18 |
5 |
5 |
|
|
|
5+6 |
|
|
1+1 |
|
|
|
- |
2 |
8 |
9 |
5 |
5 |
|
|
|
2+9 |
|
|
1+1 |
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
2+4 |
|
|
|
|
2+9 |
|
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
9 |
5 |
5 |
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
6 |
- |
- |
|
|
|
- |
|
|
= |
|
= |
|
- |
- |
- |
15 |
- |
- |
|
|
|
1+5 |
|
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
6 |
- |
3 |
9 |
|
|
|
1+8 |
|
|
= |
|
= |
|
- |
- |
6 |
- |
21 |
18 |
|
|
|
4+5 |
|
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
6 |
15 |
21 |
18 |
|
|
|
6+0 |
|
|
= |
|
= |
|
- |
- |
6 |
6 |
3 |
9 |
|
|
|
2+4 |
|
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
- |
- |
- |
- |
- |
- |
- |
1 |
ONE |
1 |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
2 |
TWO |
2 |
- |
- |
- |
- |
- |
- |
|
- |
- |
3 |
- |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
4 |
- |
- |
- |
- |
- |
- |
- |
4 |
FOUR |
4 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
- |
5 |
FIVE |
5 |
- |
- |
- |
- |
- |
- |
|
6 |
6 |
- |
- |
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
SEVEN |
7 |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
9 |
|
|
9 |
occurs |
x |
|
= |
9 |
= |
9 |
27 |
|
|
|
|
|
|
|
18 |
|
|
|
|
|
|
15 |
2+7 |
- |
- |
- |
- |
9 |
- |
- |
1+8 |
- |
- |
- |
- |
2+4 |
- |
1+5 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
6 |
3 |
9 |
|
|
|
|
|
|
|
- |
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
- |
- |
|
|
|
- |
|
|
= |
|
= |
|
- |
- |
15 |
- |
- |
|
|
|
1+5 |
|
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
6 |
- |
3 |
9 |
|
|
|
1+8 |
|
|
= |
|
= |
|
- |
6 |
- |
21 |
18 |
|
|
|
4+5 |
|
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
6 |
15 |
21 |
18 |
|
|
|
6+0 |
|
|
= |
|
= |
|
- |
6 |
6 |
3 |
9 |
|
|
|
2+4 |
|
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
3 |
- |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
6 |
6 |
- |
- |
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
- |
- |
- |
9 |
|
|
9 |
occurs |
x |
|
= |
9 |
= |
9 |
|
|
|
|
|
|
|
18 |
|
|
|
|
|
|
15 |
- |
- |
- |
- |
9 |
- |
- |
1+8 |
- |
- |
- |
- |
2+4 |
- |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
6 |
3 |
9 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
- |
6 |
|
4 |
5 |
|
|
|
1+5 |
|
|
|
|
- |
- |
6 |
|
22 |
5 |
|
|
|
3+3 |
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
- |
6 |
9 |
22 |
5 |
|
|
|
4+2 |
|
|
|
|
- |
- |
6 |
9 |
4 |
5 |
|
|
|
2+4 |
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
1 |
ONE |
1 |
|
|
|
|
|
|
|
|
|
|
|
2 |
TWO |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
|
|
|
|
|
|
|
|
7 |
SEVEN |
7 |
|
|
|
|
|
|
|
|
|
|
|
8 |
EIGHT |
8 |
|
|
|
|
|
|
9 |
|
|
|
|
9 |
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
|
|
|
|
|
2+4 |
|
|
|
|
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
9 |
4 |
5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
- |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
5 |
|
|
|
1+5 |
|
|
|
|
- |
6 |
|
22 |
5 |
|
|
|
3+3 |
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
6 |
9 |
22 |
5 |
|
|
|
4+2 |
|
|
|
|
- |
6 |
9 |
4 |
5 |
|
|
|
2+4 |
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
|
|
9 |
|
|
|
|
9 |
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
|
|
|
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
9 |
4 |
5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
9 |
6 |
|
|
|
1+6 |
|
|
= |
|
- |
- |
19 |
9 |
24 |
|
|
|
5+2 |
|
|
= |
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
1 |
9 |
6 |
|
|
|
1+6 |
|
|
= |
|
- |
- |
19 |
9 |
24 |
|
|
|
5+2 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
19 |
9 |
24 |
|
|
|
5+2 |
|
|
= |
|
- |
- |
1 |
9 |
6 |
|
|
|
1+6 |
|
|
= |
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
1 |
|
- |
|
|
|
occurs |
x |
|
= |
1 |
|
|
- |
|
- |
|
|
2 |
TWO |
2 |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
8 |
EIGHT |
8 |
|
|
|
|
|
- |
|
- |
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
- |
|
|
|
|
1+6 |
|
|
|
|
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
- |
1 |
9 |
6 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
9 |
6 |
|
|
|
1+6 |
|
|
= |
|
- |
19 |
9 |
24 |
|
|
|
5+2 |
|
|
= |
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
9 |
6 |
|
|
|
1+6 |
|
|
= |
|
- |
19 |
9 |
24 |
|
|
|
5+2 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
19 |
9 |
24 |
|
|
|
5+2 |
|
|
= |
|
- |
1 |
9 |
6 |
|
|
|
1+6 |
|
|
= |
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
|
- |
|
|
|
occurs |
x |
|
= |
1 |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
6 |
|
- |
|
- |
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
1+6 |
|
|
|
|
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
9 |
6 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
1 |
|
|
|
5 |
|
|
|
- |
|
|
|
|
|
|
- |
- |
19 |
|
|
|
14 |
|
|
|
3+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
5 |
4 |
5 |
|
|
|
|
1+4 |
|
|
= |
|
|
|
- |
- |
|
5 |
22 |
5 |
|
|
|
|
3+2 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
19 |
5 |
22 |
5 |
14 |
|
|
|
6+5 |
|
|
1+1 |
|
|
|
- |
- |
1 |
5 |
4 |
5 |
5 |
|
|
|
2+0 |
|
|
= |
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
- |
- |
|
|
|
|
2 |
TWO |
2 |
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
8 |
EIGHT |
8 |
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
2+0 |
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
5 |
4 |
5 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
1 |
|
|
|
5 |
|
|
|
- |
|
|
|
|
|
|
- |
19 |
|
|
|
14 |
|
|
|
3+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
5 |
4 |
5 |
|
|
|
|
1+4 |
|
|
= |
|
|
|
- |
|
5 |
22 |
5 |
|
|
|
|
3+2 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
19 |
5 |
22 |
5 |
14 |
|
|
|
6+5 |
|
|
1+1 |
|
|
|
- |
1 |
5 |
4 |
5 |
5 |
|
|
|
2+0 |
|
|
= |
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
2+0 |
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
5 |
4 |
5 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
9 |
- |
8 |
- |
|
|
|
1+7 |
|
|
= |
8 |
- |
|
- |
9 |
- |
8 |
- |
|
|
|
1+7 |
|
|
= |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
- |
7 |
- |
2 |
|
|
|
1+4 |
|
|
= |
|
- |
|
5 |
- |
7 |
- |
20 |
|
|
|
3+2 |
|
|
= |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
9 |
7 |
8 |
20 |
|
|
|
4+9 |
|
|
1+3 |
4 |
- |
|
5 |
9 |
7 |
8 |
2 |
|
|
|
3+1 |
|
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
1 |
ONE |
1 |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
4 |
FOUR |
4 |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
|
3+1 |
- |
- |
- |
- |
3+1 |
|
|
|
|
|
|
|
|
|
4 |
|
|
5 |
|
4 |
- |
|
5 |
9 |
7 |
8 |
2 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
4 |
|
|
5 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
9 |
- |
8 |
- |
|
|
|
1+7 |
|
|
= |
8 |
|
- |
9 |
- |
8 |
- |
|
|
|
1+7 |
|
|
= |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
5 |
- |
7 |
- |
2 |
|
|
|
1+4 |
|
|
= |
|
|
5 |
- |
7 |
- |
20 |
|
|
|
3+2 |
|
|
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
5 |
9 |
7 |
8 |
20 |
|
|
|
4+9 |
|
|
1+3 |
4 |
|
5 |
9 |
7 |
8 |
2 |
|
|
|
3+1 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+1 |
- |
- |
- |
- |
3+1 |
|
|
|
|
|
|
|
|
4 |
|
|
5 |
|
4 |
|
5 |
9 |
7 |
8 |
2 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
4 |
|
|
5 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
9 |
5 |
|
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
- |
14 |
9 |
14 |
|
|
|
|
3+7 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
5 |
|
|
|
|
|
|
= |
|
|
|
- |
- |
|
|
|
5 |
|
|
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
14 |
9 |
14 |
5 |
|
|
|
4+2 |
|
|
= |
|
|
|
- |
- |
5 |
9 |
5 |
5 |
|
|
|
2+4 |
|
|
= |
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
2 |
TWO |
2 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
8 |
EIGHT |
8 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+1 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
2+4 |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
9 |
5 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
9 |
5 |
|
|
|
|
1+9 |
|
|
1+0 |
|
|
|
- |
14 |
9 |
14 |
|
|
|
|
3+7 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
5 |
|
|
|
|
|
|
= |
|
|
|
- |
|
|
|
5 |
|
|
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
14 |
9 |
14 |
5 |
|
|
|
4+2 |
|
|
= |
|
|
|
- |
5 |
9 |
5 |
5 |
|
|
|
2+4 |
|
|
= |
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
|
2+4 |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
9 |
5 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
5 |
|
|
|
|
|
|
= |
|
|
|
- |
- |
|
|
14 |
|
|
|
1+4 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
2 |
5 |
|
|
|
|
|
|
|
= |
|
|
|
- |
- |
20 |
5 |
|
|
|
|
2+5 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
20 |
5 |
14 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
- |
- |
2 |
5 |
5 |
|
|
|
1+2 |
|
|
= |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
8 |
EIGHT |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
NINE |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+8 |
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
- |
2 |
5 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
5 |
|
|
|
|
|
|
= |
|
|
|
- |
|
|
14 |
|
|
|
1+4 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
2 |
5 |
|
|
|
|
|
|
|
= |
|
|
|
- |
20 |
5 |
|
|
|
|
2+5 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
20 |
5 |
14 |
|
|
|
3+9 |
|
|
1+2 |
|
|
|
- |
2 |
5 |
5 |
|
|
|
1+2 |
|
|
= |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
5 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
5 |
|
|
|
|
|
|
= |
|
|
|
- |
- |
|
|
|
|
|
14 |
|
|
|
1+4 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
3 |
5 |
4 |
5 |
|
|
|
|
2+2 |
|
|
= |
|
|
|
- |
- |
5 |
12 |
5 |
22 |
5 |
|
|
|
|
4+9 |
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
12 |
5 |
22 |
5 |
14 |
|
|
|
6+3 |
|
|
= |
|
|
|
- |
- |
5 |
3 |
5 |
4 |
5 |
5 |
|
|
|
2+7 |
|
|
= |
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
2 |
TWO |
2 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
8 |
EIGHT |
8 |
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
9 |
NINE |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+3 |
|
|
- |
|
|
|
|
|
|
1+2 |
|
|
|
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
3 |
5 |
4 |
5 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
5 |
|
|
|
|
|
|
= |
|
|
|
- |
|
|
|
|
|
14 |
|
|
|
1+4 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
3 |
5 |
4 |
5 |
|
|
|
|
2+2 |
|
|
= |
|
|
|
- |
5 |
12 |
5 |
22 |
5 |
|
|
|
|
4+9 |
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
12 |
5 |
22 |
5 |
14 |
|
|
|
6+3 |
|
|
= |
|
|
|
- |
5 |
3 |
5 |
4 |
5 |
5 |
|
|
|
2+7 |
|
|
= |
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
1+2 |
|
|
|
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
3 |
5 |
4 |
5 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Z |
= |
8 |
- |
0 |
- |
4 |
|
64 |
28 |
1 |
O |
= |
6 |
- |
1 |
- |
3 |
|
34 |
16 |
7 |
T |
= |
2 |
- |
2 |
- |
3 |
|
56 |
29 |
2 |
T |
= |
2 |
- |
3 |
- |
5 |
|
52 |
16 |
7 |
F |
= |
6 |
- |
4 |
- |
4 |
|
60 |
24 |
6 |
F |
= |
6 |
- |
5 |
- |
4 |
|
65 |
20 |
2 |
S |
= |
1 |
- |
6 |
- |
3 |
|
42 |
24 |
6 |
S |
= |
1 |
- |
7 |
- |
5 |
|
58 |
13 |
4 |
E |
= |
5 |
- |
8 |
- |
5 |
|
49 |
31 |
4 |
N |
= |
5 |
- |
9 |
- |
4 |
|
42 |
24 |
6 |
- |
- |
42 |
- |
|
- |
40 |
- |
|
|
|
|
|
4+2 |
|
4+5 |
|
4+5 |
|
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
|
- |
|
|
|
Z |
|
8 |
0 |
|
ZERO |
- |
- |
|
- |
- |
|
- |
2 |
Z+E |
31 |
13 |
4 |
- |
- |
|
- |
1 |
R |
18 |
9 |
9 |
- |
- |
|
- |
1 |
O |
15 |
6 |
6 |
Z |
|
8 |
|
4 |
ZERO |
|
|
|
- |
- |
|
|
|
- |
9+1 |
1+9 |
1+9 |
Z |
|
8 |
|
4 |
ZERO |
|
|
|
- |
- |
|
|
|
- |
1+0 |
1+0 |
1+0 |
Z |
|
8 |
|
4 |
ZERO |
|
|
|
O |
|
6 |
1 |
|
ONE |
- |
- |
|
- |
- |
|
- |
1 |
O |
15 |
6 |
6 |
- |
- |
|
- |
1 |
N |
14 |
5 |
5 |
- |
- |
|
- |
1 |
E |
5 |
5 |
5 |
O |
|
6 |
|
3 |
ONE |
|
|
|
- |
- |
|
|
|
- |
3+4 |
1+6 |
1+6 |
O |
|
6 |
|
3 |
ONE |
|
|
|
T |
|
2 |
2 |
|
TWO |
- |
- |
|
- |
- |
|
- |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
1 |
W |
23 |
5 |
5 |
- |
- |
|
- |
1 |
O |
15 |
6 |
6 |
T |
|
2 |
|
3 |
TWO |
|
|
|
- |
- |
|
|
|
- |
5+8 |
1+3 |
1+3 |
T |
|
2 |
|
3 |
TWO |
|
|
|
- |
- |
|
|
|
- |
1+3 |
|
|
T |
|
2 |
|
3 |
TWO |
|
4 |
4 |
T |
|
2 |
3 |
|
THREE |
- |
- |
|
- |
- |
|
- |
1 |
T |
20 |
2 |
2 |
- |
- |
|
- |
1 |
H |
8 |
8 |
8 |
- |
- |
|
- |
1 |
R |
18 |
9 |
9 |
- |
- |
|
- |
2 |
E+E |
10 |
10 |
1 |
T |
|
2 |
|
5 |
THREE |
|
|
|
- |
- |
|
|
|
- |
5+6 |
2+9 |
2+0 |
T |
|
2 |
|
5 |
THREE |
|
|
|
- |
- |
|
|
|
- |
1+1 |
1+1 |
|
T |
|
2 |
|
5 |
THREE |
|
|
2 |
F |
|
6 |
4 |
|
FOUR |
- |
- |
|
- |
- |
|
- |
1 |
F |
6 |
6 |
6 |
- |
- |
|
- |
2 |
O+U |
36 |
9 |
9 |
- |
- |
|
- |
1 |
R |
18 |
9 |
9 |
F |
|
6 |
|
4 |
FOUR |
|
|
|
- |
- |
|
|
|
- |
6+0 |
2+4 |
2+4 |
F |
|
6 |
|
4 |
FOUR |
|
|
|
F |
|
6 |
5 |
|
FIVE |
- |
- |
|
- |
- |
|
- |
1 |
F |
6 |
6 |
6 |
- |
- |
|
- |
1 |
I |
9 |
9 |
9 |
- |
- |
|
- |
2 |
V+E |
27 |
9 |
9 |
F |
|
6 |
|
4 |
FIVE |
|
|
|
- |
- |
|
|
|
- |
6+0 |
2+4 |
2+4 |
F |
|
6 |
|
4 |
FIVE |
|
|
|
S |
|
1 |
6 |
|
SIX |
- |
- |
|
- |
- |
|
- |
1 |
S |
19 |
10 |
1 |
- |
- |
|
- |
1 |
I |
9 |
9 |
9 |
- |
- |
|
- |
1 |
X |
24 |
6 |
6 |
S |
|
1 |
|
3 |
SIX |
|
|
|
- |
- |
|
|
|
- |
5+2 |
2+5 |
1+6 |
S |
|
1 |
|
3 |
SIX |
|
|
|
S |
|
1 |
7 |
|
SEVEN |
- |
- |
|
- |
- |
|
- |
1 |
S |
19 |
10 |
1 |
- |
- |
|
- |
2 |
E+V |
27 |
9 |
9 |
- |
- |
|
- |
2 |
E+N |
19 |
10 |
1 |
S |
|
1 |
|
5 |
SEVEN |
|
|
|
- |
- |
|
|
|
- |
6+5 |
2+9 |
1+1 |
S |
|
1 |
|
5 |
SEVEN |
|
|
|
- |
- |
|
|
|
- |
1+1 |
1+1 |
|
S |
|
1 |
|
5 |
SEVEN |
|
|
2 |
E |
|
5 |
8 |
|
EIGHT |
- |
- |
|
- |
- |
|
- |
1 |
E |
5 |
5 |
5 |
- |
- |
|
- |
1 |
I |
9 |
9 |
9 |
- |
- |
|
- |
3 |
G+H+T |
35 |
17 |
8 |
E |
|
5 |
|
5 |
EIGHT |
|
|
|
- |
- |
|
|
|
- |
4+9 |
3+1 |
|
E |
|
5 |
|
5 |
EIGHT |
|
4 |
4 |
- |
- |
|
|
|
- |
1+3 |
|
|
E |
|
5 |
|
5 |
EIGHT |
|
4 |
4 |
N |
|
5 |
9 |
|
NINE |
- |
- |
|
- |
- |
|
- |
1 |
N |
14 |
5 |
5 |
- |
- |
|
- |
1 |
I |
9 |
9 |
9 |
- |
- |
|
- |
2 |
N+E |
19 |
10 |
1 |
N |
|
5 |
|
4 |
NINE |
|
|
|
- |
- |
|
|
|
- |
4+2 |
2+4 |
1+5 |
N |
|
5 |
|
3 |
NINE |
|
|
|
T |
= |
2 |
10 |
- |
TEN |
|
|
- |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
T |
= |
2 |
10 |
3 |
|
|
|
|
- |
- |
- |
- |
- |
|
3+9 |
1+2 |
1+2 |
T |
= |
2 |
10 |
3 |
|
|
|
|
- |
- |
- |
- |
- |
|
1+2 |
- |
- |
T |
= |
2 |
10 |
3 |
|
|
|
|
E |
|
5 |
11 |
- |
ELEVEN |
|
|
- |
- |
- |
- |
- |
3 |
E+L+E |
22 |
13 |
4 |
- |
- |
- |
- |
2 |
V+E |
27 |
9 |
9 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
E |
|
5 |
11 |
6 |
|
|
|
|
- |
- |
- |
- |
- |
|
6+3 |
2+7 |
1+8 |
E |
|
5 |
11 |
6 |
|
|
|
|
T |
= |
2 |
12 |
- |
TWELVE |
|
|
- |
- |
- |
- |
- |
4 |
T+W+E+L |
60 |
15 |
6 |
- |
- |
- |
- |
2 |
V+E |
27 |
9 |
9 |
T |
= |
2 |
12 |
6 |
|
|
|
|
- |
- |
- |
- |
- |
|
8+7 |
2+4 |
1+5 |
T |
= |
2 |
12 |
6 |
|
|
|
|
6 |
- |
- |
- |
- |
|
1+5 |
- |
- |
T |
= |
2 |
12 |
6 |
|
|
|
|
T |
= |
2 |
13 |
- |
THIRTEEN |
|
|
- |
- |
- |
- |
- |
2 |
T+H |
28 |
10 |
1 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
4 |
T+E+E+N |
44 |
17 |
8 |
T |
= |
2 |
13 |
8 |
|
|
|
|
- |
- |
- |
- |
- |
|
9+9 |
4+5 |
2+7 |
T |
= |
2 |
13 |
8 |
|
|
|
|
6 |
- |
- |
- |
- |
|
1+8 |
- |
- |
T |
= |
2 |
13 |
8 |
|
|
|
|
F |
= |
6 |
14 |
- |
FOURTEEN |
|
|
- |
- |
- |
- |
- |
1 |
F |
6 |
6 |
6 |
- |
- |
- |
- |
2 |
O+U |
36 |
9 |
9 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
4 |
T+E+E+N |
44 |
17 |
8 |
F |
= |
6 |
14 |
8 |
|
|
|
|
- |
- |
- |
- |
- |
|
1+0+4 |
4+1 |
3+2 |
F |
= |
6 |
14 |
8 |
|
|
|
|
F |
= |
6 |
15 |
- |
FIFTEEN |
|
|
- |
- |
- |
- |
- |
1 |
F |
6 |
6 |
6 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
5 |
F+T+E+E+N |
50 |
23 |
5 |
F |
= |
6 |
15 |
7 |
|
|
|
|
- |
- |
- |
- |
- |
|
6+5 |
3+8 |
2+0 |
F |
= |
6 |
15 |
7 |
|
|
|
|
6 |
- |
- |
- |
- |
|
1+1 |
1+1 |
- |
F |
= |
6 |
15 |
7 |
|
|
|
|
S |
= |
1 |
16 |
- |
|
|
|
- |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
4 |
X+T+E+E |
54 |
18 |
9 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
S |
= |
1 |
16 |
7 |
SIXTEEN |
|
|
|
- |
- |
- |
- |
- |
|
9+6 |
4+2 |
2+4 |
S |
= |
1 |
16 |
7 |
SIXTEEN |
|
|
|
6 |
- |
- |
- |
- |
|
1+5 |
- |
- |
S |
= |
1 |
16 |
7 |
SIXTEEN |
|
|
|
S |
= |
1 |
17 |
- |
SEVENTEEN |
|
|
- |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
2 |
E+V |
27 |
9 |
9 |
- |
- |
- |
- |
6 |
E+N+T+E+E+N |
63 |
27 |
9 |
S |
= |
1 |
17 |
9 |
SEVENTEEN |
|
|
|
- |
- |
- |
- |
- |
|
1+0+9 |
4+6 |
1+9 |
S |
= |
1 |
17 |
9 |
SEVENTEEN |
|
|
|
6 |
- |
- |
- |
- |
|
1+0 |
1+0 |
1+0 |
S |
= |
1 |
17 |
9 |
SEVENTEEN |
|
|
|
E |
= |
5 |
18 |
- |
EIGHTEEN |
|
|
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
5 |
G+H+T+E+E |
45 |
27 |
9 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
E |
= |
5 |
18 |
8 |
|
|
|
|
- |
- |
- |
- |
- |
|
7+3 |
4+6 |
2+8 |
E |
= |
5 |
18 |
8 |
|
|
|
|
6 |
- |
- |
- |
- |
|
1+0 |
1+0 |
1+0 |
E |
= |
5 |
18 |
8 |
|
|
|
|
- |
TEEN |
|
|
- |
1 |
T |
20 |
2 |
2 |
3 |
E+E+N |
24 |
15 |
6 |
4 |
|
|
|
|
- |
|
4+4 |
1+7 |
- |
4 |
|
|
|
|
- |
- |
- |
- |
TEEN |
|
|
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
T |
= |
2 |
4 |
|
|
|
|
- |
- |
- |
- |
|
4+4 |
1+7 |
1+7 |
T |
= |
2 |
4 |
|
|
|
|
THE
ATEN
ISISIS RA RA ISISIS
ZERO
ISISIS ZERO = ONE = ONE = ZERO ISISIS
ZERO
ONE AND ZERO ZERO AND ONE
RA OSIRIS ERECT PENIS = I = PENIS ERECT OSIRIS RA
ISISIS ZERO CIRCLE VAGINA = O = VAGINA CIRCLE ZERO ISISIS
999999999666666666101010101010101010010101010101010101666666666999999999
LIGHT DARK BALANCING TWILIGHT BALANCING DARK LIGHT
DARK LIGHT BALANCING TWILIGHT BALANCING LIGHT DARK
1 |
I |
9 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
2 |
AM |
14 |
14 |
5 |
3 |
THE |
33 |
15 |
6 |
5 |
LIGHT |
56 |
29 |
2 |
7 |
BRINGER |
73 |
46 |
1 |
22 |
Add to Reduce |
|
|
|
2+2 |
Reduce to Deduce |
2+3+4 |
1+2+6 |
2+7 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
6 |
- |
- |
- |
8 |
- |
- |
1 |
+ |
= |
15 |
1+5 |
= |
6 |
= |
6 |
= |
6 |
|
- |
- |
- |
15 |
- |
- |
- |
8 |
- |
- |
19 |
+ |
= |
42 |
4+2 |
= |
6 |
= |
6 |
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
7 |
9 |
- |
4 |
5 |
2 |
- |
5 |
3 |
- |
|
|
|
3+5 |
|
|
|
|
|
|
|
|
16 |
18 |
- |
13 |
5 |
20 |
- |
5 |
21 |
- |
|
|
|
9+8 |
|
|
1+7 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
16 |
18 |
15 |
13 |
5 |
20 |
8 |
5 |
21 |
19 |
|
|
|
1+4+0 |
|
|
|
5 |
|
|
|
|
7 |
9 |
6 |
4 |
5 |
2 |
8 |
5 |
3 |
1 |
|
|
|
5+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
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occurs |
x |
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= |
1 |
= |
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occurs |
x |
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= |
2 |
= |
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occurs |
x |
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= |
3 |
= |
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occurs |
x |
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= |
4 |
= |
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occurs |
x |
|
= |
10 |
1+0 |
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occurs |
x |
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= |
6 |
= |
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occurs |
x |
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= |
7 |
= |
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occurs |
x |
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= |
8 |
= |
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occurs |
x |
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= |
9 |
= |
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4+5 |
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|
4+5 |
|
|
1+0 |
|
5+0 |
|
4+1 |
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- |
|
7 |
9 |
6 |
4 |
5 |
2 |
8 |
5 |
3 |
1 |
|
|
- |
|
|
- |
|
- |
|
- |
9 |
|
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|
9 |
|
|
1 |
|
5 |
|
5 |
3 |
THE |
33 |
15 |
6 |
5 |
LIGHT |
56 |
29 |
2 |
7 |
BRINGER |
73 |
46 |
1 |
15 |
Add to Reduce |
|
|
|
1+5 |
Reduce to Deduce |
1+6+2 |
9+0 |
- |
6 |
Essence of Number |
|
|
|
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- |
|
I |
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|
- |
|
R |
I |
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R |
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|
- |
- |
|
- |
- |
|
8 |
|
- |
|
9 |
|
8 |
|
- |
|
|
9 |
5 |
|
|
|
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|
|
3+9 |
|
|
1+2 |
|
|
|
- |
- |
|
8 |
|
- |
|
9 |
|
8 |
|
- |
|
|
9 |
14 |
|
|
|
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|
4+8 |
|
|
1+2 |
|
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|
- |
|
I |
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|
- |
|
R |
I |
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|
R |
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|
|
|
|
- |
|
|
- |
- |
|
|
5 |
- |
3 |
|
7 |
|
2 |
- |
2 |
9 |
|
|
7 |
5 |
9 |
|
|
|
5+1 |
|
|
|
|
|
|
- |
- |
|
|
5 |
- |
12 |
|
7 |
|
20 |
- |
2 |
18 |
|
|
7 |
5 |
18 |
|
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|
1+1+4 |
|
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|
- |
|
I |
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|
- |
|
R |
I |
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|
R |
|
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|
|
|
|
- |
|
|
- |
- |
20 |
8 |
5 |
- |
12 |
9 |
7 |
8 |
20 |
- |
2 |
18 |
9 |
14 |
7 |
5 |
18 |
|
|
|
1+6+2 |
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
- |
3 |
9 |
7 |
8 |
2 |
- |
2 |
9 |
9 |
5 |
7 |
5 |
9 |
|
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|
9+0 |
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|
15 |
|
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- |
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- |
|
R |
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R |
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- |
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- |
- |
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- |
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- |
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- |
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- |
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2 |
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2 |
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occurs |
x |
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= |
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= |
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- |
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occurs |
x |
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= |
3 |
= |
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- |
- |
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- |
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- |
- |
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5 |
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occurs |
x |
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= |
15 |
1+5 |
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- |
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7 |
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7 |
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occurs |
x |
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= |
|
1+4 |
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- |
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8 |
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occurs |
x |
|
= |
|
1+6 |
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- |
- |
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|
9 |
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- |
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9 |
9 |
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9 |
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occurs |
x |
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= |
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- |
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I |
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- |
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R |
I |
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R |
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1+1 |
1+5 |
- |
- |
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- |
- |
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3+4 |
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1+5 |
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5+4 |
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3+6 |
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- |
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I |
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- |
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R |
I |
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R |
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2 |
8 |
5 |
- |
3 |
|
7 |
8 |
2 |
- |
2 |
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5 |
7 |
5 |
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- |
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I |
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- |
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R |
I |
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R |
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- |
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I |
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- |
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R |
I |
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R |
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- |
- |
|
- |
|
8 |
|
- |
|
9 |
|
8 |
|
- |
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|
9 |
5 |
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|
3+9 |
|
|
1+2 |
|
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|
- |
|
8 |
|
- |
|
9 |
|
8 |
|
- |
|
|
9 |
14 |
|
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|
4+8 |
|
|
1+2 |
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- |
|
I |
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- |
|
R |
I |
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R |
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- |
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|
- |
|
|
5 |
- |
3 |
|
7 |
|
2 |
- |
2 |
9 |
|
|
7 |
5 |
9 |
|
|
|
5+1 |
|
|
|
|
|
|
- |
|
|
5 |
- |
12 |
|
7 |
|
20 |
- |
2 |
18 |
|
|
7 |
5 |
18 |
|
|
|
1+1+4 |
|
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|
- |
|
I |
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|
- |
|
R |
I |
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|
R |
|
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|
- |
|
|
- |
20 |
8 |
5 |
- |
12 |
9 |
7 |
8 |
20 |
- |
2 |
18 |
9 |
14 |
7 |
5 |
18 |
|
|
|
1+6+2 |
|
|
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|
|
- |
2 |
8 |
5 |
- |
3 |
9 |
7 |
8 |
2 |
- |
2 |
9 |
9 |
5 |
7 |
5 |
9 |
|
|
|
9+0 |
|
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|
15 |
|
|
|
- |
|
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|
- |
|
R |
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|
R |
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- |
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- |
|
- |
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|
2 |
|
2 |
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occurs |
x |
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= |
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|
- |
|
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|
occurs |
x |
|
= |
3 |
|
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- |
- |
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|
5 |
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|
occurs |
x |
|
= |
15 |
1+5 |
|
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|
7 |
|
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|
7 |
|
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|
occurs |
x |
|
= |
|
1+4 |
|
|
- |
|
|
|
|
|
|
8 |
|
|
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|
occurs |
x |
|
= |
|
1+6 |
|
|
- |
- |
|
|
|
9 |
|
|
- |
|
|
9 |
9 |
|
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|
9 |
|
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|
occurs |
x |
|
= |
|
|
|
|
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|
|
- |
|
I |
|
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|
- |
|
R |
I |
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|
R |
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|
1+5 |
- |
- |
|
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|
- |
- |
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|
3+4 |
|
|
1+5 |
|
5+4 |
|
3+6 |
|
|
|
|
- |
|
I |
|
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|
- |
|
R |
I |
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|
R |
|
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|
|
2 |
8 |
5 |
- |
3 |
|
7 |
8 |
2 |
- |
2 |
|
|
5 |
7 |
5 |
|
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|
- |
|
I |
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|
- |
|
R |
I |
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|
R |
|
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|
15 |
O |
|
|
- |
|
|
O |
- |
|
H |
|
|
|
- |
F |
O |
|
|
|
|
|
|
|
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|
- |
- |
|
- |
- |
6 |
5 |
|
- |
|
|
6 |
- |
|
8 |
|
|
|
- |
|
6 |
|
|
|
|
|
3+1 |
|
|
= |
|
|
|
- |
- |
15 |
14 |
|
- |
|
|
15 |
- |
|
8 |
|
|
|
- |
|
15 |
|
|
|
|
|
6+7 |
|
|
1+3 |
|
|
|
|
15 |
O |
|
|
- |
|
|
O |
- |
|
H |
|
|
|
- |
F |
O |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
5 |
- |
2 |
5 |
|
- |
2 |
|
9 |
5 |
5 |
- |
6 |
|
3 |
9 |
|
|
|
5+1 |
|
|
= |
|
|
|
- |
- |
|
|
5 |
- |
20 |
23 |
|
- |
20 |
|
18 |
5 |
5 |
- |
6 |
|
21 |
18 |
|
|
|
1+4+1 |
|
|
= |
|
|
|
|
15 |
O |
|
|
- |
|
|
O |
- |
|
H |
|
|
|
- |
F |
O |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
15 |
14 |
5 |
- |
20 |
23 |
15 |
- |
20 |
8 |
18 |
5 |
5 |
- |
6 |
15 |
21 |
18 |
|
|
|
2+0+8 |
|
|
1+0 |
|
|
|
- |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
|
|
|
8+2 |
|
|
1+0 |
|
|
|
|
15 |
O |
|
|
- |
|
|
O |
- |
|
H |
|
|
|
- |
F |
O |
|
|
|
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|
|
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|
- |
- |
|
|
- |
- |
|
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|
- |
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|
- |
- |
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- |
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|
occurs |
x |
|
= |
|
= |
|
- |
|
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|
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|
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|
occurs |
x |
|
= |
3 |
= |
|
|
- |
- |
|
|
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|
|
- |
|
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|
|
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- |
- |
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- |
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|
occurs |
x |
|
= |
|
2+5 |
|
- |
- |
6 |
|
|
|
- |
|
6 |
|
- |
|
|
|
|
|
6 |
6 |
|
|
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
- |
- |
|
|
|
- |
|
- |
|
- |
|
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|
- |
- |
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|
-`` |
- |
- |
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|
- |
|
- |
|
- |
8 |
|
|
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|
- |
- |
|
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|
occurs |
x |
|
= |
8 |
= |
|
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|
- |
|
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|
- |
- |
|
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|
occurs |
x |
|
= |
|
1+8 |
|
|
|
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|
|
- |
|
|
|
- |
|
|
|
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|
- |
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|
1+2 |
1+5 |
|
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|
- |
- |
|
|
- |
- |
|
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|
|
- |
|
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|
|
3+3 |
|
|
1+5 |
|
8+2 |
|
3+7 |
|
|
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|
|
- |
|
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|
- |
|
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|
- |
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- |
- |
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- |
- |
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|
- |
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|
1+0 |
|
1+0 |
|
|
|
|
|
- |
|
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|
- |
|
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|
|
- |
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|
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
|
|
|
|
|
4 |
FIVE |
42 |
24 |
6 |
|
|
|
|
|
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
- |
|
I |
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
9 |
5 |
|
- |
|
9 |
|
8 |
|
- |
1 |
|
|
|
5 |
- |
1 |
9 |
6 |
|
|
|
5+8 |
|
|
1+3 |
|
|
|
- |
- |
14 |
9 |
14 |
|
- |
|
9 |
|
8 |
|
- |
19 |
|
|
|
14 |
- |
19 |
9 |
24 |
|
|
|
1+3+9 |
|
|
1+3 |
|
|
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- |
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- |
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- |
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I |
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- |
- |
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- |
- |
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5 |
- |
5 |
|
7 |
|
2 |
- |
|
5 |
4 |
5 |
|
- |
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3+3 |
|
|
= |
|
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|
- |
- |
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|
5 |
- |
5 |
|
7 |
|
20 |
- |
|
5 |
22 |
5 |
|
- |
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6+9 |
|
|
1+5 |
|
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- |
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- |
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- |
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I |
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- |
- |
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- |
- |
14 |
9 |
14 |
5 |
- |
5 |
9 |
7 |
8 |
20 |
- |
19 |
5 |
22 |
5 |
14 |
- |
19 |
9 |
24 |
|
|
|
2+0+8 |
|
|
1+0 |
|
|
|
- |
- |
5 |
9 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
- |
1 |
5 |
4 |
5 |
5 |
- |
1 |
9 |
6 |
|
|
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9+1 |
|
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1+0 |
|
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|
17 |
|
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- |
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- |
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- |
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occurs |
x |
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= |
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occurs |
x |
|
= |
2 |
= |
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occurs |
x |
|
= |
4 |
= |
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occurs |
x |
|
= |
35 |
3+5 |
|
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- |
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occurs |
x |
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6 |
= |
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occurs |
x |
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= |
7 |
= |
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- |
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occurs |
x |
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= |
8 |
= |
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occurs |
x |
|
= |
27 |
2+7 |
|
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- |
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- |
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- |
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1+7 |
- |
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- |
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4+2 |
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1+7 |
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9+1 |
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4+6 |
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- |
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1+0 |
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1+0 |
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- |
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- |
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|
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
|
|
|
|
|
4 |
FIVE |
42 |
24 |
6 |
|
|
|
|
|
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
0 |
- |
4 |
|
8 |
5 |
9 |
6 |
- |
= |
28 |
2+8 |
= |
10 |
1+0 |
1 |
1 |
- |
3 |
|
6 |
5 |
5 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
2 |
- |
3 |
|
2 |
5 |
6 |
- |
- |
= |
13 |
1+3 |
= |
4 |
- |
4 |
3 |
- |
5 |
|
2 |
8 |
9 |
5 |
5 |
= |
29 |
2+9 |
= |
11 |
1+1 |
2 |
4 |
- |
4 |
|
6 |
6 |
3 |
9 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
5 |
- |
4 |
|
6 |
9 |
4 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
6 |
- |
3 |
|
1 |
9 |
6 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
7 |
- |
5 |
|
1 |
5 |
4 |
5 |
5 |
= |
20 |
2+0 |
= |
2 |
- |
2 |
8 |
- |
5 |
|
5 |
9 |
7 |
8 |
2 |
= |
31 |
3+1 |
= |
4 |
- |
4 |
9 |
- |
4 |
|
5 |
9 |
5 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
45 |
- |
40 |
Add |
42 |
70 |
58 |
43 |
12 |
- |
225 |
- |
- |
63 |
- |
45 |
4+5 |
- |
4+0 |
- |
4+2 |
7+0 |
5+8 |
4+3 |
1+2 |
- |
2+2+5 |
- |
- |
6+3 |
- |
4+5 |
9 |
- |
4 |
Reduce |
6 |
7 |
13 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
4 |
Deduce |
6 |
7 |
4 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
|
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8 |
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6 |
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6 |
5 |
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6 |
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8 |
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6 |
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9 |
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1 |
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1 |
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5 |
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9 |
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8 |
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5 |
9 |
5 |
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|
26 |
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15 |
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15 |
14 |
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15 |
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8 |
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15 |
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19 |
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24 |
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19 |
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14 |
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9 |
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8 |
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14 |
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6 |
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2 |
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5 |
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18 |
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20 |
23 |
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20 |
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18 |
5 |
5 |
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6 |
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21 |
18 |
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6 |
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22 |
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22 |
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26 |
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20 |
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8 |
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5 |
5 |
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6 |
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6 |
9 |
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24 |
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5 |
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14 |
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8 |
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6 |
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5 |
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6 |
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8 |
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5 |
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6 |
6 |
3 |
9 |
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6 |
9 |
4 |
5 |
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1 |
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6 |
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1 |
5 |
4 |
5 |
5 |
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9 |
7 |
8 |
2 |
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4 |
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-- |
|
5 |
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5 |
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5 |
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5 |
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6 |
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5 |
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5 |
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5 |
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5 |
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4+5 |
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8 |
5 |
9 |
6 |
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6 |
5 |
5 |
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2 |
5 |
6 |
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2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
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6 |
9 |
4 |
5 |
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1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
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5 |
9 |
7 |
8 |
2 |
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5 |
9 |
5 |
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E |
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H |
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occurs |
x |
|
= |
2 |
= |
|
|
occurs |
x |
|
= |
6 |
= |
|
|
occurs |
x |
|
= |
3 |
= |
|
|
occurs |
x |
|
= |
8 |
= |
|
|
occurs |
x |
|
= |
70 |
7+0 |
|
|
occurs |
x |
|
= |
42 |
4+2 |
|
|
occurs |
x |
|
= |
7 |
= |
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
occurs |
x |
|
= |
63 |
6+3 |
|
|
|
|
|
|
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|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
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- |
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H |
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- |
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E |
|
8 |
- |
- |
6 |
- |
6 |
5 |
- |
- |
- |
- |
6 |
- |
- |
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LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
|
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|
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|
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7 |
|
2 |
- |
|
|
|
5 |
+ |
= |
|
1+1+3 |
= |
|
- |
|
|
|
|
5 |
18 |
|
- |
|
|
5 |
- |
20 |
23 |
|
- |
20 |
|
18 |
|
|
- |
|
|
21 |
18 |
- |
6 |
|
22 |
5 |
- |
|
|
|
- |
|
5 |
22 |
5 |
|
- |
5 |
|
7 |
|
20 |
- |
|
|
|
5 |
+ |
= |
|
2+6+6 |
= |
|
1+4 |
|
|
|
|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
|
|
|
|
|
|
|
|
|
26 |
5 |
18 |
15 |
- |
15 |
14 |
5 |
- |
20 |
23 |
15 |
- |
20 |
8 |
18 |
5 |
5 |
- |
6 |
15 |
21 |
18 |
- |
6 |
9 |
22 |
5 |
- |
19 |
9 |
24 |
- |
19 |
5 |
22 |
5 |
14 |
- |
5 |
9 |
7 |
8 |
20 |
- |
14 |
9 |
14 |
5 |
+ |
= |
|
5+2+2 |
= |
|
|
|
|
|
8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
- |
5 |
9 |
5 |
5 |
+ |
= |
|
2+2+5 |
= |
|
|
|
|
|
|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
2 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
|
|
|
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
- |
|
|
5 |
|
- |
- |
- |
5 |
5 |
- |
- |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
- |
5 |
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
+ |
= |
|
occurs |
x |
14 |
= |
|
7+0 |
|
|
|
|
6 |
- |
6- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
6 |
6 |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
7 |
= |
|
4+2 |
|
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
1 |
= |
|
- |
|
8 |
|
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
9 |
- |
- |
- |
- |
9 |
- |
|
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
9 |
- |
- |
+ |
= |
|
occurs |
x |
7 |
= |
|
6+3 |
|
|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
|
|
|
|
|
|
|
|
|
|
5 |
|
- |
- |
- |
5 |
5 |
- |
- |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
- |
5 |
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
|
|
|
|
|
|
|
|
|
8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
|
5 |
5 |
- |
6 |
6 |
3 |
|
- |
6 |
|
4 |
5 |
- |
1 |
|
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
|
7 |
8 |
2 |
- |
5 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
56 |
29 |
2 |
3 |
- |
T |
= |
2 |
- |
5 |
|
52 |
16 |
7 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
65 |
20 |
2 |
6 |
- |
S |
= |
1 |
- |
3 |
|
42 |
24 |
6 |
7 |
- |
S |
= |
1 |
- |
5 |
|
58 |
13 |
4 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
|
|
- |
|
- |
|
|
Produce |
1+7 |
1+7 |
- |
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
56 |
29 |
2 |
3 |
- |
T |
= |
2 |
- |
5 |
|
52 |
16 |
7 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
65 |
20 |
2 |
6 |
- |
S |
= |
1 |
- |
3 |
|
42 |
24 |
6 |
7 |
- |
S |
= |
1 |
- |
5 |
|
58 |
13 |
4 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
56 |
29 |
2 |
3 |
- |
T |
= |
2 |
- |
5 |
|
52 |
16 |
7 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
65 |
20 |
2 |
6 |
- |
S |
= |
1 |
- |
3 |
|
42 |
24 |
6 |
7 |
- |
S |
= |
1 |
- |
5 |
|
58 |
13 |
4 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
0 |
4 |
|
64 |
28 |
1 |
1 |
3 |
ONE |
34 |
16 |
7 |
2 |
3 |
TWO |
58 |
13 |
4 |
3 |
5 |
THREE |
56 |
29 |
2 |
4 |
4 |
FOUR |
60 |
24 |
6 |
5 |
4 |
FIVE |
42 |
24 |
6 |
6 |
3 |
SIX |
52 |
16 |
7 |
7 |
5 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
4 |
NINE |
42 |
24 |
6 |
45 |
40 |
Add |
522 |
225 |
45 |
4+5 |
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
|
Deduce |
9 |
9 |
9 |
|
|
|
3 |
|
34 |
16 |
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
4 |
|
60 |
24 |
|
F |
+ |
6 |
4 |
FIVE |
42 |
24 |
6 |
|
|
|
3 |
|
52 |
16 |
|
|
|
|
5 |
|
65 |
20 |
|
|
|
|
5 |
|
49 |
31 |
|
|
|
|
4 |
|
42 |
24 |
|
|
|
|
|
- |
|
|
|
|
|
3+9 |
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
|
|
|
|
- |
|
|
|
|
|
1+2 |
|
- |
- |
- |
|
|
|
|
|
- |
|
|
|
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
T |
= |
2 |
- |
3 |
|
56 |
29 |
2 |
T |
= |
2 |
- |
5 |
|
52 |
16 |
7 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
F |
= |
6 |
- |
4 |
|
65 |
20 |
2 |
S |
= |
1 |
- |
3 |
|
42 |
24 |
6 |
S |
= |
1 |
- |
5 |
|
58 |
13 |
4 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
- |
- |
42 |
- |
40 |
- |
|
|
|
|
|
4+2 |
|
|
- |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
- |
|
|
|
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
T |
= |
2 |
- |
3 |
|
56 |
29 |
2 |
T |
= |
2 |
- |
5 |
|
52 |
16 |
7 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
F |
= |
6 |
- |
4 |
|
65 |
20 |
2 |
S |
= |
1 |
- |
3 |
|
42 |
24 |
6 |
S |
= |
1 |
- |
5 |
|
58 |
13 |
4 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
- |
- |
34 |
- |
36 |
- |
|
|
|
- |
|
3+4 |
|
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
- |
|
|
|
|
- |
|
|
|
- |
|
- |
|
|
- |
1+7 |
1+7 |
- |
- |
- |
7 |
- |
9 |
- |
|
|
|
|
|
|
3 |
|
34 |
16 |
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
4 |
|
60 |
24 |
|
F |
+ |
6 |
4 |
FIVE |
42 |
24 |
6 |
|
|
|
3 |
|
52 |
16 |
|
|
|
|
5 |
|
65 |
20 |
|
|
|
|
5 |
|
49 |
31 |
|
|
|
|
4 |
|
42 |
24 |
|
|
|
|
|
- |
|
|
|
|
|
3+9 |
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
|
|
|
|
- |
|
|
|
|
|
1+2 |
|
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NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 32
5
To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX
O |
= |
15 |
- |
3 |
|
34 |
16 |
7 |
- |
1 |
T |
= |
20 |
- |
3 |
|
58 |
13 |
4 |
- |
2 |
T |
= |
20 |
- |
5 |
|
56 |
29 |
2 |
- |
3 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
- |
4 |
- |
- |
61 |
- |
15 |
Add |
208 |
82 |
19 |
- |
10 |
- |
- |
6+1 |
- |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+0 |
- |
- |
7 |
- |
6 |
Deduce |
10 |
10 |
10 |
- |
1 |
- |
- |
- |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
7 |
- |
6 |
Essence |
1 |
1 |
1 |
- |
1 |
N |
= |
14 |
- |
4 |
|
42 |
24 |
6 |
- |
9 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
- |
8 |
S |
= |
19 |
- |
5 |
|
65 |
20 |
2 |
- |
7 |
S |
= |
19 |
- |
3 |
|
52 |
16 |
7 |
- |
6 |
- |
- |
57 |
- |
17 |
Add |
208 |
91 |
19 |
- |
30 |
- |
- |
5+7 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
- |
3+0 |
- |
- |
12 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
3 |
- |
- |
1+2 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
3 |
- |
8 |
Essence |
1 |
1 |
1 |
- |
3 |
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
ENTERS THE NETERS
THE ELEMENTS OF EGYPTIAN WISDOM
Naomi Ozaniec 1994
THE SACRED SCRIPT - THE MEDU NETERS
Page 80 / The logical mind begins to reel / Page 81 / Language as evocation is immensely powerful. Word play is not finished; Neith can also be written by spelling the 't' with the sign for land, ta, in combination with the sign for water, 'n'. This particular hieroglyph represents ruffled water. By spelling the same name in a different way, we are presented with a different set of ideas. Here is Neith as 'the primeval water which gave birth to the land,' a theologically familiar concept. Once again a brief word encapsulates both divine name and divine function.
Hieroglyphic omitted
Schwaller de Lubicz reminds us repeatedly that we do need to look for a convoluted symbolism. The Medu Neters were chosen in such a way as to really signify all the qualities and functions implicit in the image. We are of course removed from the direct observation of vulture and ibis, crocodile and falcon, It is hard for us to understand the subtleties of movement, habit or life cycle which prompted a recognition deep in the Egyptian mind. It is well known that the humble dung beetle was raised to a sacred status from its simple egg-laying habit. The young emerged from the ball of dung as new life unbegotten. It is less well known that the scarab resembles the human skull, its two wing cases being reminiscent of the two halves of the human skull.
The ability to find the cosmic In the mundane through a correspondence is the hallmark of a mind sensitized through symbolic training. Any contemporary Qabalist recognizes this function for what it is, the inner workings of an esoteric system. These brief examples serve to illustrate the workings of both the Egyptian mind and the Egyptian tradition. Each letter had its own secret; all sacred alphabets are constructed in this way. Moreover a sacred language always serves a double purpose, a written double entendre. To the uninitiated there is no secret to hide. The language functions perfectly well at a purely practical level. To the initiated there exists another level of inner meaning as opposed to the apparent meaning. The inner meaning requires no elaborate subterfuge. It is there all the time, open and blatant. 'It / Page 82 / is hidden from view only because it represents a higher non-cerebral consciousness which simply evades the logical mind.
The Egyptians preserved this double function with astonishing brilliance and clarity over an immensely long period of time. Hebrew still functions as a sacred alphabet.. Each of its letters signifies ideas, numbers and cosmic principles.. A word becomes a code for an abstraction, a metaphysical concept, an esoteric teaching. An outsider cannot penetrate into the labyrinthine maze of meanings without becoming lost in ideas and distracted by elusive possibilities. A guide is always required in such matters - scribal training took place through an apprenticeship system. It is a mistake to think that we might uncover how the scribes viewed individual hieroglyphs by simply applying any meaning that springs to our mind. It is Clear that individual signs and arrangements carried a precise range of corresponding symbols.
Isha Schwaller de Lubicz acts as our guide into the intricacies of an individual hieroglyph in the book Her-Bak.
The letter r is written.in the lenticular shape of a half open mouth. Now look. for the ideas, qualities and functions this . sign represents. First, its nature. The mouth, ra, is the upper opening of the body, an entrance that communicates by two channels with the lungs and stomach; that is why this hiereglyph is. also the generic word for an entrance, ra. The mouth opens and shuts to eat, breathe and speak, as the eye, ar.t, opens and shuts to receive or refuse light. The mouth's function is dual, passive and active, it receives air and food, emits breath and voice. The eye's function is dual, likewise 'the reception of light and expression of organic and emotional response. The mouth's shape changes by the separation of the lips for the performance of its function. Opening, it widens or narrows like the shadow thrown on a disc by another disc which gradually eclipses it. In the partially occulteddisc, . the lentil or dark mouth is the complement of the crescent still visible. This gradual change of shape produces portions of different size that represents parts of the occulted disc. The characteristic has given the name ra to parts of a whole such as numerical fractions, chapters and so forth.
Page 83
These profound thoughts revolve around a single letter majestic insights might we discover if only someone would serve as our guide through all the hieroglyphic combinations! Here is a way of thinking quite unlike our own, a mind set removed from our utilitarian use of language. This totally symbolic thinking produced completely practical applications, as we see through Egypt's many lasting achievements there is no grounds whatsoever for thinking that this symbolic system produced woolly mindedness. On the contrary it gave rise to a mind that was both extensive and focused, deep and creative, tradittonal yet original.
Search ResultsLetter & Word Frequency in English / Other Language FrequenciesThe first twelve letters "e t a o i n s r h l d c", are found in around 80% ... Top Twenty Most Used Words in Spoken English the and I to of a you that in ...
www.letterfrequency.org/
Letter Frequencies / Word ↓"etaoin shrdlu" (eh-tay-oh-in shird-loo), was believed to be the twelve most common letters in the English language. The word came from linotype typesetting machines. The first, left row of six keys on a linotype machine produce the word "etaoin". The second, left row of six keys produce the word "shrdlu". The linotype machine keys are labeled: "etaoin-shrdlu-cmfgyp-wbvkxj-qz". The letter 'h' appears more often in every day speech and writing than it does in a list of dictionary words. The first twelve letters "e t a o i n s r h l d c", are found in around 80% of the words in the English language.
Letter Frequency in the English Language
e t a o i n s r h l d c u m f p g w y b v k x j q z
Letter Frequency in Press Reporting
e t a o n i s r h l d c m u f p g w y b v k j x q z
Letter Frequency in Religious Writings
e t i a o n s r h l d c u m f p y w g b v k x j q z
Letter Frequency in Scientific Writings
e t a i o n s r h l c d u m f p g y b w v k x q j z
Letter Frequency in General Fiction
e t a o h n i s r d l u w m c g f y p v k b j x z q
Letter Frequency in Word Averages
e t a o i n s r h l d c u m f p g w y b v k x j q z
Letter Frequency in Morse Code
e t a i n o s h r d l c u m f w y g p b v k q j x z
Non-Plural Word Letter Frequency
(18584 Common Base Words)
e a i r t o n s l c u p m d h g b y f v w k x z q j
Plural Word Letter Frequency
(45406 Common Words)
e i s a r n t o l c d u g p m h b y f v k w z x j q
Letter Frequency of the Most Common 1st Letter in Words
t o a w b c d s f m r h i y e g l n p u j k
Letter Frequency of the Most Common 2nd Letter in Words
h o e i a u n r t
Letter Frequency of the Most Common 3rd Letter in Words
e s a r n i
Letter Frequency of the Most Common Last Letter in Words
e s t d n r y f l o g h a k m p u w
Letter Frequency of the Most Common Letter to Follow the "e"
r s n d
Words begin with letter frequency:
t a i s o w h b c m f p d r l e g n y u k v j q x z
More than half of all words end with: e t d s
e s t d n r y o f g a l h m u k i w p c x b z v j q
Computer QWERTY Keyboard Key Frequency:
Space e t Shift a o i n s r h Del l d c u Enter
m f p g w y b , . v k ( ) _ ; " = ' - Tab x / 0 $ *
1 j : { } > q [ ] 2 z ! < ? 3 + 5 \ 4 # @ | 6 & 9 8 7 % ^ ~ `
UK English Language Letter Frequency:
e t a o i n s r h l d c u m f p g w y b v k x j q z
Spanish Language Letter Frequency:
e a o s r n i d l c t u m p b g y í v q ó h f z j é á ñ x ú ü w k
German Language Letter Frequency:
e n i s r a t d h u l c g m o b w f k z v ü p ä ß j ö y q x
French Language Letter Frequency:
e s a i t n r u l o d c m p é v q f b g h j à x è y ê z ç ô ù â û î œ w k ï ë ü æ ñ
Italian Language Letter Frequency:
e a i o n l r t s c d u p m v g h f b q z ò à ù ì é è ó y k w x j ô
Dutch Language Letter Frequency:
e n a t i r o d s l g h v k m u b p w j c z f x y (ë é ó) q
Greek Language Letter Frequency:
α ο ι ε τ σ ν η υ ρ π κ μ λ ω δ γ χ θ φ β ξ ζ ψ
Russian Language Letter Frequency:
o e a и н т с в л р к д м п у ë я г б з ч й х ж ш ю ц щ e ф (ъ ы ь)
Turkish Language Letter Frequency:
a e i n r l ı d k m u y t s b o ü ş z g ç h ğ v c ö p f j w x q
Polish Language Letter Frequency:
i a e o z n s c r w y ł d k m t p u j l g ę b ą h ż ś ó ć ń f ź v q x
Esperanto Language Letter Frequency:
a i e o n l s r t k j u d m p v g f b c ĝ ĉ ŭ z ŝ h ĵ ĥ w y x q
Swedish Language Letter Frequency:
e a n t r s l i d o m g k v ä h f u p å ö b c j y x w z é q (à è)
Portuguese: a e o s r i n m d u t l c p h v q g f b ã z ç j á é x ó õ ê ô à y í è ú o` (kw)
Norwegian: e r n t s i l a k o d g m v f u p b h ø j y a a æ c w z x (q)
Icelandic: a n r i e s t u dh l g m k f h v o á th í d j ó b y æ ú ö p é ý c x w z q
Hungarian: e a t l n s k o m z r i g á é y d b v h j o: f u p ö ó c u: í ú ü x w (q)
Slovak: a o e s n i t r v l k d m c u p z y h j g f b (q w x)
Finnish: e n a t r s i l d o k g m v f aa u p h ä c b ö j y x z w (q)
Danish: e n a d t r s l g i o h m k v u f b p ø ae j y c é x q w è z ü à ó ê ç aa ë ä
Czech: o e a n t i v l s r d k u p í m c h á z y j b ř ê é ĉ ž ý ŝ ũ g f ú ň w ď ó x ť (q)
Hawaiian: a i k o' e n u h l m â p ô w ê û î (b c d f g j q r s t v x y z)
Maori: a i k e t o n u h r m w g p (b c d f j l q s v x y z)
Latin: e i t u a s r n o m c p l d q b g v f h x y k (z) (j w)
Irish: a i h n r e t s c o l d g u m b á f í é ú ó p v j w y k q z (x)
Welsh: a y n d r e i l o g h w t f u s c m b p â ô y^ w^ j ï ê á q v î (k x z)
Gaelic: a i h n d e r c s g l o u t m b à f p o` ù é i` è ó (j k q v w x y z)
Japanese Language Letter Frequency
20 most common Kanji (Chinese characters):
日一十二人大年会国三本長中五出事社市者月 Word Frequencies / Letter ↑
Digraph Frequency
th he an in er on re ed nd ha at en es of nt ea ti to io le is ou ar as de rt ve
Trigraph Frequency
the and tha ent ion tio for nde has nce tis oft men
Double Letter Frequency
ss ee tt ff ll mm oo
Top Twenty Most Used Words in Written English
the of to in and a for was is that on at he with by be it an as his
Top Twenty Most Used Words in Spoken English
the and I to of a you that in it is yes was this but on well he have for
Two Letter Word Frequency
of to in it is be as at so we he by or on do if me my up an go no us am
Three Letter Word Frequency
the and for are but not you all any can had her was one our out day get has him his how man new now old see two way who boy did its let put say she too use
Four Letter Word Frequency
that with have this will your from they know want been good much some time very when come here just like long make many more only over such take than them well were
Word Frequency for the Most Common Words
the of and to in a is that be it by are for was as he with on his at which but from has this will one have not were or all their an i there been many more so when had may today who would time we about after dollars if my other some them being its no only over very you into most than they day even made out first great must these can days every found general her here last new now people public said since still such through under up war well where while years before between country debts good him interest large like make our take upon what
100 Most Frequently Used Words
about after all am an and are as at back be because been big but by came can come could day did do down first for from get go going got had has have he her here him his I if in into is it just like little look made make me more my no not now of off on one only or our out over said saw see she so some that the their them then there they this to two up very was we well went were what when where which who will with would you your
50 Most Frequently Used UK Operators
come get give go keep let make put seem take be do have say see send may will about across after against among at before between by down from in off on over through to under up with as for of till than a the all any every no other some such that this I he you who and because but or if through while how when where why again ever far forward hear near now out still there then together well almost enough even little much not only quite so very tomorrow yesterday north south east west please yes
50 Most Frequently Used UK General Things
account act addition adjustment advertisement agreement air amount amusement animal answer apparatus approval argument art attack attempt attention attraction authority back balance base behavior belief birth bit bite blood blow body brass bread breath brother building burn burst business butter canvas care cause chalk chance change cloth coal color comfort committee company comparison competition condition connection control cook copper copy cork cotton cough country cover crack credit crime crush cry current curve damage danger daughter day death debt decision degree design desire destruction detail development digestion direction discovery discussion disease disgust distance distribution division doubt drink driving dust earth edge education effect end error event example exchange existence expansion experience expert fact fall family father fear feeling fiction field fight fire flame flight flower fold food force form friend front fruit glass gold government grain grass grip group growth guide harbor harmony hate hearing heat help history hole hope hour humor ice idea impulse increase industry ink insect instrument insurance interest invention iron jelly join journey judge jump kick kiss knowledge land language laugh law lead learning leather letter level lift light limit linen liquid list look loss love machine man manager mark market mass meal measure meat meeting memory metal middle milk mind mine minute mist money month morning mother motion mountain move music name nation need news night noise note number observation offer oil operation opinion order organization ornament owner page pain paint paper part paste payment peace person place plant play pleasure poison point polish porter position powder power price print process produce profit property prose protest pull punishment purpose push quality question rain range rate ray reaction reading reason record regret relation religion representative request respect rest reward rhythm rice river road roll room rub rule run salt sand scale science sea seat secretary selection self sense servant sex shade shake shame shock side sign silk silver sister size sky sleep slip slope smash smell smile smoke sneeze snow soap society son song sort sound soup space stage start statement steam steel step stitch stone stop story stretch structure substance sugar suggestion summer support surprise swim system talk taste tax teaching tendency test theory thing thought thunder time tin top touch trade transport trick trouble turn twist unit use value verse vessel view voice walk war wash waste water wave wax way weather week weight wind wine winter woman wood wool word work wound writing year
50 Most Frequently Used UK Picturable Things
angle ant apple arch arm army baby bag ball band basin basket bath bed bee bell berry bird blade board boat bone book boot bottle box boy brain brake branch brick bridge brush bucket bulb button cake camera card carriage cart cat chain cheese chest chin church circle clock cloud coat collar comb cord cow cup curtain cushion dog door drain drawer dress drop ear egg engine eye face farm feather finger fish flag floor fly foot fork fowl frame garden girl glove goat gun hair hammer hand hat head heart hook horn horse hospital house island jewel kettle key knee knife knot leaf leg library line lip lock map match monkey moon mouth muscle nail neck needle nerve net nose nut office orange oven parcel pen pencil picture pig pin pipe plane plate plough pocket pot potato prison pump rail rat receipt ring rod roof root sail school scissors screw seed sheep shelf ship shirt shoe skin skirt snake sock spade sponge spoon spring square stamp star station stem stick stocking stomach store street sun table tail thread throat thumb ticket toe tongue tooth town train tray tree trousers umbrella wall watch wheel whip whistle window wing wire worm
50 Most Frequently Used UK Qualities
able acid angry automatic beautiful black boiling bright broken brown cheap chemical chief clean clear common complex conscious cup deep dependent early elastic electric equal fat fertile first fixed flat free frequent full general good great grey hanging happy hard healthy high hollow important kind like living long male married material medical military natural necessary new normal open parallel past physical political poor possible present private probable quick quiet ready red regular responsible right round same second separate serious sharp smooth sticky stiff straight strong sudden sweet tall thick tight tired true violent waiting warm wet wide wise yellow young
50 Most Frequently Used UK Opposites
awake bad bent bitter blue certain cold complete cruel dark dead dear delicate different dirty dry false feeble female foolish future green ill last late left loose loud low mixed narrow old opposite public rough sad safe secret short shut simple slow small soft solid special strange thin white wrong
American Heritage Word Frequency Book
the of and a to in is you that it he for was on are as with his they at be this from I have or by one had not but what all were when we there can an your which their said if do will each about how up out them then she many some so these would other into has more her two like him see time could no make than first been its who now people my made over did down only way find use may water long little very after words called just where most know get through back much before go good new write out used me man too any day same right look think also around another came come work three word must because does part even place well such here take why things help put years different away again off went old number great tell men say small every found still between name should Mr. home big give air line set own under read last never us left end along while might next sound below saw something thought both few those always looked show large often together asked house don't world going want school important until 1 form food keep children feet land side without boy once animals life enough took sometimes four head above kind began almost live page got earth need far hand high year mother light parts country father let night following 2 picture being study second eyes soon times story boys since white days ever paper hard near sentence better best across during today others however sure means knew it's try told young miles sun ways thing whole hear example heard several change answer room sea against top turned 3 learn point city play toward five using himself usually
Poetic Annex to Basic English Words
angel arrow beast blind bow breast bride brow bud calm child cross crown curse dawn delight dew dove dream eagle eternal evening evil fair faith fate feast flock flow fountain fox gentle glad glory God grace grape grief guest hawk heaven hell hill holy honey honor image ivory joy lamb lark life lion lord meadow melody mercy noble passion perfume pity pool praise prayer pride priest purple rapture raven robe rock rose rush search shining shower sorrow soul spear spirit storm strength sword their tower travel valley veil vine violet virtue vision wandering wealth weariness weeping wisdom wolf wonder
From Wikipedia, the free encyclopedia
The modern English alphabet is a Latin-based alphabet consisting of 26 letters[1] – the same letters that are found in the Basic modern Latin alphabet:
Majuscule Forms (also called uppercase or capital letters
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Miniscule Forms (also called lowercase or small letters)
a b c d e f g h i j k l m n o p q r s t u v w x y z
The exact shape of printed letters varies depending on the typeface. The shape of handwritten letters can differ significantly from the standard printed form (and between individuals), especially when written in cursive style. See the individual letter articles for information about letter shapes and origins (follow the links on any of the uppercase letters above).
Written English also uses a number of digraphs, but they are not considered to be part of the alphabet.
Contents
1 History 1.1 Old English
1.2 Modern English
2 Diacritics
3 Ampersand
4 Apostrophe
5 Letter names
6 Phonology
7 Letter frequencies
8 See also
9 Footnotes
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[edit] History
See also: History of the Latin alphabet and English orthography
[edit] Old English
Main article: Old English Latin alphabet
The English language was first written in the Anglo-Saxon futhorc runic alphabet, in use from the 5th century. This alphabet was brought to what is now England, along with the proto-form of the language itself, by Anglo-Saxon settlers. Very few examples of this form of written Old English have survived, these being mostly short inscriptions or fragments.
The Latin alphabet, introduced by Christian missionaries, began to replace the Anglo-Saxon futhorc from about the 7th century, although the two continued in parallel for some time. Futhorc influenced the Latin alphabet by providing it with the letters thorn (Þ þ) and wynn (Ƿ ƿ). The letter eth (Ð ð) was later devised as a modification of dee (D d), and finally yogh (Ȝ ȝ) was created by Norman scribes from the insular gee in Old English and Irish, and used alongside their [[Carolingian gee]].
The a-e ligature ash (Æ æ) was adopted as a letter its own right, named after a futhorc rune æsc. In very early Old English the o-e ligature ethel (Œ œ) also appeared as a distinct letter, likewise named after a rune, œðel. Additionally, the v-v or u-u ligature double-u (W w) was in use.
In the year 1011, a writer named Byrhtferð ordered the Old English alphabet for numerological purposes.[2] He listed the 24 letters of the Latin alphabet (including ampersand) first, then 5 additional English letters, starting with the Tironian note ond (⁊) an insular symbol for and:
A B C D E F G H I K L M N O P Q R S T V X Y Z & ⁊ Ƿ Þ Ð Æ
[edit] Modern English
In the orthography of Modern English, thorn (þ), eth (ð), wynn (ƿ), yogh (ȝ), ash (æ), and ethel (œ) are obsolete. Latin borrowings reintroduced homographs of ash and ethel into Middle and Early Modern English, though they are not considered to be the same letters[citation needed] but rather ligatures, and in any case are somewhat old-fashioned. Thorn and eth were both replaced by th, though thorn continued in existence for some time, its lowercase form gradually becoming graphically indistinguishable from the minuscule y in most handwriting. Y for th can still be seen in pseudo-archaisms such as “Ye Olde Booke Shoppe”. The letters þ and ð are still used in present-day Icelandic. Wynn disappeared from English around the fourteenth century when it was supplanted by uu, which ultimately developed into the modern w. Yogh disappeared around the fifteenth century and was typically replaced by gh.
The letters u and j, as distinct from v and i, were introduced in the 16th century, and w assumed the status of an independent letter, so that the English alphabet is now considered to consist of the following 26 letters:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
The variant lowercase form long s (ſ) lasted into early modern English, and was used in non-final position up to the early 19th century.
The ligatures æ and œ are still used in formal writing for certain words of Greek or Latin origin, such as encyclopædia and cœlom. Lack of awareness and technological limitations (such as their absence from the standard qwerty keyboard) have made it common to see these rendered as "ae" and "oe", respectively, in modern, non-academic usage. These ligatures are not used in American English, where a lone e has mostly supplanted both (for example, encyclopedia for encyclopædia, and fetus for fœtus).
[edit] Diacritics
Main article: English words with diacritics
Diacritic marks mainly appear in loanwords such as naïve and façade. As such words become naturalised there is a tendency to drop the diacritics, as is now often the case with the two mentioned; but, automatic spell-check, as in Microsoft Office, also oftentimes adds the diacritics back in, which has slowed their disappearance in recent years. Words that are still perceived as foreign tend to retain them; for example, the only spelling of soupçon found in English dictionaries (the OED and others) uses the diacritic. Diacritics are also more likely to be retained where there would otherwise be confusion with another word (for example, résumé rather than resume), and, rarely, even added (as in maté, from Spanish yerba mate, but following the pattern of café, from French).
Occasionally, especially in older writing, diacritics are used to indicate the syllables of a word: cursed (verb) is pronounced with one syllable, while cursèd (adjective) is pronounced with two. Similarly, while in chicken coop the letters -oo- represent a single vowel sound (a digraph), in zoölogist and coöperation, they represent two. An acute, grave or diaerisis may also be placed over an 'e' at the end of a word to indicate that it is not silent, and to show how it should be pronounced instead. These devices, are, however, optional, and are in practice now rarely used even where they would serve to alleviate some degree of confusion.
[edit] Ampersand
The ampersand (&) has sometimes appeared at the end of the English alphabet, as in Byrhtferð's list of letters in 1011.[2] Properly speaking the figure is a ligature for the letters Et. In English it is used to represent the word and and occasionally the Latin word et, as in the abbreviation &c (et cetera).
[edit] Apostrophe
The apostrophe, while not considered part of the English alphabet, is used to abbreviate English words. A few pairs of words, such as its (belonging to it) and it's (it is or it has), were (plural of was) and we're (we are), and shed (to get rid of) and she'd (she would or she had) are distinguished in writing only by the presence or absence of an apostrophe. The apostrophe also distinguishes the possessive endings -'s and -s' from the common plural ending -s, a practice introduced in the 18th century; before, all three endings were written -s, which could lead to confusion (as in, the Apostles words).
[edit] Letter names
The names of the letters are rarely spelled out, except when used in derivations or compound words (for example tee-shirt, deejay, emcee, okay, aitchless, wye-level, etc.), derived forms (for example exed out, effing, to eff and blind, etc.), and in the names of objects named after letters (for example em (space) in printing and wye (junction) in railroading). The forms listed below are from the Oxford English Dictionary. Vowels stand for themselves, and consonants usually have the form consonant + ee or e + consonant (e.g. bee and ef). The exceptions are the letters aitch, jay, kay, cue, ar, ess (but es- in compounds ), wye, and zed. Plurals of consonants end in -s (bees, efs, ems) or, in the cases of aitch, ess, and ex, in -es (aitches, esses, exes). Plurals of vowels end in -es (aes, ees, ies, oes, ues); these are rare. Of course, all letters may stand for themselves, generally in capitalized form (okay or OK, emcee or MC), and plurals may be based on these (aes or As, cees or Cs, etc.)
English alphabet - Wikipedia, the free encyclopedia
The letters þ and ð are still used in present-day Icelandic. ...
en.wikipedia.org/wiki/English_alphabet
English alphabet
Letter |
Letter name |
Pronunciation |
A |
a |
/eɪ/[3] |
B |
bee |
/biː/ |
C |
cee |
/siː/ |
D |
dee |
/diː/ |
E |
e |
/iː/ |
F |
ef (eff as a verb) |
/ɛf/ |
G |
gee |
/dʒiː/ |
H |
aitch |
/eɪtʃ/ |
haitch[4] |
/heɪtʃ/ |
I |
i |
/aɪ/ |
J |
jay |
/dʒeɪ/ |
jy[5] |
/dʒaɪ/ |
K |
kay |
/keɪ/ |
L |
el |
/ɛl/ |
M |
em |
/ɛm/ |
N |
en |
/ɛn/ |
O |
o |
/oʊ/ |
P |
pee |
/piː/ |
Q |
cue |
/kjuː/ |
R |
ar |
/ɑr/[6] |
S |
ess (es-)[7] |
/ɛs/ |
T |
tee |
/tiː/ |
U |
u |
/juː/ |
V |
vee |
/viː/ |
W |
double-u |
/ˈdʌbəljuː/ in careful speech[8] |
X |
ex |
/ɛks/ |
Y |
wy or wye |
/waɪ/ |
Z |
zed[9] |
/zɛd/ |
zee[10] |
/ziː/ |
izzard[11] |
/ˈɪzərd/ |
Some groups of letters, such as pee and bee, or em and en, are easily confused in speech, especially when heard over the telephone or a radio communications link. Spelling alphabets such as the ICAO spelling alphabet, used by aircraft pilots, police and others, are designed to eliminate this potential confusion by giving each letter a name that sounds quite different from any other.
[edit] Phonology
Main article: English phonology
The letters A, E, I, O, U are considered vowel letters, since (except when silent) they represent vowels; the remaining letters are considered consonant letters, since when not silent they generally represent consonants. However, Y commonly represents vowels as well as a consonant, as very rarely does W. (See Words without vowels.)
[edit] Letter frequencies
Main article: Letter frequency
The letter most frequently used in English is E. The least frequently used letter is Z.
The list below shows the frequency of letter use in English.[12]
Letter |
Frequency |
A |
8.17% |
B |
1.49% |
C |
2.78% |
D |
4.25% |
E |
12.70% |
F |
2.23% |
G |
2.02% |
H |
6.09% |
I |
6.97% |
J |
0.15% |
K |
0.77% |
L |
4.03% |
M |
2.41% |
N |
6.75% |
O |
7.51% |
P |
1.93% |
Q |
0.10% |
R |
5.99% |
S |
6.33% |
T |
9.06% |
U |
2.76% |
V |
0.98% |
W |
2.36% |
X |
0.15% |
Y |
1.97% |
Z |
0.07% |
[edit] See also
- Alphabet
- ASCII
- Anglo-Saxon futhorc
- English language
- English spelling reform
- History of the English language
- Latin-derived alphabet
- Greek alphabet
[edit]
- ^ See also the section on Ligatures
- ^ a b Michael Everson, Evertype, Baldur Sigurðsson, Íslensk Málstöð, On the Status of the Latin Letter Þorn and of its Sorting Order
- ^ Sometimes /æ/ in Hiberno-English
- ^ sometimes in Australian and Irish English, and usually in Indian English (although often considered incorrect, particularly in Britain)
- ^ in Scottish English
- ^ /ɔr/ (/ɔər/?) in Hiberno-English
- ^ in compounds such es-hook
- ^ Especially in American English, the el is not often pronounced in informal speech. (Merriam Webster's Collegiate Dictionary, 10th ed). Common colloquial pronunciations are /ˈdʌbəjuː/, /ˈdʌbəjə/, and /ˈdʌbjə/, especially in terms like www.
- ^ in British and Commonwealth English
- ^ in American English
- ^ in Scottish English
- ^ Lewand, Robert (2000). Cryptological Mathematics. The Mathematical Association of America. p. 36. ISBN 978-0883857199. http://books.google.com/books?id=CyCcRAm7eQMC&pg=PA36. Table also available from [1]
Retrieved from "http://en.wikipedia.org/wiki/English_alphabet"
Categories: English spelling | Latin-derived alphabets
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Answers.com - What are the most popular letters in the alphabet In: Food and Cooking, English Language, Shopping [Edit categories] ... What is the most common letter in the alphabet? In English, 'e' Actually all of the ...
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THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E"
THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E"
TH5 MOST COMMONLY US5D L5TT5R IN TH5 5NGLISH LANGUAG5 IS THE L5TT5R "5"
THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E"
285 4612 36446537 3154 352259 95 285 5573918 31573175 91 285 352259 "5"
THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E"
THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E"
285 4612 36446537 3154 352259 95 285 5573918 31573175 91 285 352259 "5"
THE MOST COMMONLY USED LETTER IN THE ENGLISH LANGUAGE IS THE LETTER "E"
Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1]
"ETAON RISHD LFCMU GYPWB VKXJQ Z"
THEN WE ALL STARTED SINGING LOOK AT THE FIVES LOOK AT THE FIVES LOOKAT
THE FIVES THE FIVES THE FIVES
AND
THEN LO AND BEHOLD WE GOT THE MESSAGE
AND
WE STARTED TO LAUGH AND SING
AND
SUDDENLY
OUT
OF
NOTHINGNESS
WOW E WOW
WE WERE ALL LAUGHING SINGING AND DANCING
NOW WE KNOW WOW O WOW KNOW WE NOW
THE VOYAGE OF THE DAWNTREADER
C. S. Lewis 1952
Page 155
CHAPTER FOURTEEN
THE BEGINNING OF THE END OF THE WORLD
SLOWLY the door opened again and out there came a figure as tall and straight as the girl's but not so slender. It carried no light but light seemed to come from it. As it came nearer, Lucy saw that it was like an old man. His silver beard came down to his bare feet in front and his silver hair hung down to his heels behind and his robe appeared to be made from the fleece of silver sheep. He looked so mild and grave that once more all the travellers rose to their feet and stood in silence.
But the old man came on without speaking to the travellers and stood on the other side of the table opposite to his daughter. Then both of them held up their arms before / Page 156 / them and turned to face the east. In that position they began to sing. I wish I could write down the song, but no one who was present could remember it. Lucy said afterwards that it was high, almost shrill, but very beautiful, "A cold kind of song, an early morning kind of song." And as they sang, the grey clouds lifted from the eastern sky and the white patches grew bigger and bigger till it was all white, and the sea began to shine like silver. And long afterwards (but those two sang all the time) the east began to turn red and at last, unclouded, the sun came up out of the sea and its long level ray shot down the length of the table on the gold and silver and on the Stone Knife.
Once or twice before, the Narnians had wondered whether the sun at its rising did not look bigger in these seas than it had looked at home. This time they were certain. There was no mistaking it. And the brightness of its ray on the dew and on the table was far beyond any morning brightness they had ever seen. And as Edmund said afterwards, "Though lots of things happened on that trip which sound more exciting, that moment was really the most exciting." For now they knew that they had truly come to the beginning of the End of the World.
Then something seemed to be flying at them out of the very centre of the rising sun: but of course one couldn't look steadily in that direction to make sure.But presently the air became full of voices - voices which took up the same song that the Lady and her Father were singing, but in far wilder tones and in a language which no one knew. And soon after that the owners of these voices could be seen. They were birds, large and white, and they came by hundreds and thousands and alighted on everything; on the grass, and the pavement, on the table, on your shoulders, your hands, and your head, till it looked as if heavy snow had fallen. For, like snow, they not only made / Page 157 / everything white but blurred and blunted all shapes. But Lucy, looking out from between the wings of the birds that covered her, saw one bird fly to the Old Man with something in its beak that looked like a little fruit, unless it was a little live coal, which it might have been, for it was too bright to look at. And the bird laid it in the Old Man's mouth.
Then the birds stopped their singing and appeared to be very busy about the table. When they rose from it again everything on the table that could be eaten or drunk had disappeared. These birds rose from their meal in their thousands and hundreds and carried away all the things that could not be eaten or drunk, such as bones, rinds, and shells, and took their flight back to the rising sun. But now, because they were not singing, the whir of their wings seemed to set the whole air a-tremble. And there was the table pecked clean and empty, and the three old Lords of Narnia still fast asleep.
Now at last the Old Man turned to the travellers and bade them welcome.
"Sir," said Caspian, "will you tell us how to undo the enchantment which holds these three Narnian Lords asleep. "
"I will gladly tell you that, my son," said the Old Man. "To break this enchantment you must sail to the World's End, or as near as you can come to it, and you must come back having left at least one of your company behind."
"And what must happen to that one?" asked Reepicheep. "He must go on into the utter east and never return into the world." "That is my heart's desire," said Reepicheep.
"And are we near the World's End now, Sir?" asked Caspian. "Have you any knowledge of the seas and lands further east than this?" / Page 158 / "I saw them long ago," said the Old Man, "but it was from a great height. I cannot tell you such things as sailors need to know. "
"Do you mean you were flying in the air?" Eustace blurted out.
"I was a long way above the air, my son," replied the Old Man. "I am Ramandu. But I see that you stare at one another and have not heard this name. And no wonder, for the days when I was a star had ceased long before any of you knew this world, and all the constellations have changed. "
"Golly," said Edmund under his breath. "He's a retired star. " .
"Aren't you a star any longer?" asked Lucy.
"I am a star at rest, my daughter," answered Ramandu.
Page 159
"When I set for the last time, decrepit and old beyond all that you can reckon, I was carried to this island. I am not so old now as I was then. Every morning a bird brings me a fire-berry from the valleys in the Sun, and each fire-berry takes away a little of my age. And when 1 have become as young as the child that was born yesterday, then I shall take my rising again (for we are at earth's eastern rim) and once more tread the great dance."
"In our world," said Eustace, "a star is a huge ball of flaming gas. "
"Even in your world, my son, that is not what a star is but only what it is made of. And in this world you have already met a star: for I think you have been with Coriakin. "
"Is he a retired star, too?" said Lucy.
"Well, not quite the same," said Ramandu. "It was not quite as a rest that he was set to govern the Duffers. You might call it a punishment. He might have shone for thousands of years more in the southern winter sky if all had gone well. "
"What did he do, Sir?" asked Caspian.
"My son," said Ramandu, "it is not for you, a son of Adam, to know what faults a star can commit. But come, we waste time in such talk. Are you yet resolved? Will you sail further east and come again, leaving one to return no more, and so break the enchantment? Or will you sail westward?"
"Surely, Sire," said Reepicheep, "there is no question about that? It is very plainly part of our quest to rescue these three lords from enchantment"
"I think the same, Reepicheep," replied Caspian. "And even if it were not so, it would break my heart not to go as near the World's End as the Dawn Treader will take us. But I am thinking of the crew. They signed on to seek the / Page 160 / seven lords, not to reach the rim of the Earth. If we sail east from here we sail to find the edge, the utter east. And no one knows how far it is. They're brave fellows, but I see signs that some of them are weary of the voyage and long to have our prow pointing to Narnia again. I don't think I should take them further without their knowledge and consent. And then there's the poor Lord Rhoop. He's a broken man. "
"My son," said the star, "it would be no use, even though you wished it, to sail for the World's End with men unwilling or men deceived. That is not how great unenchantments are achieved. They must know where they go and why. But who is this broken man you speak of?"
Caspian told Ramandu the story of Rhoop.
"I can give him what he needs most," said Ramandu. "In this island there is sleep without stint or measure, and sleep in which no faintest footfall of a dream was ever heard. Let him sit beside these other three and drink oblivion till your return."
"Oh, do let's do that, Caspian," said Lucy. "I'm sure it's just what he would love."
At that moment they were interrupted by the sound of many feet and voices: Drinian and the rest of the ship's company were approaching. They halted in surprise when they saw Ramandu and his daughter; and then, because these were obviously great people, every man uncovered his head. Some sailors eyed the empty dishes and flagons on the table with regret.
"My lord," said the King to Drinian, "pray send two men back to the Dawn Treader with a message to the Lord Rhoop. Tell him that the last of his old shipmates are here asleep - a sleep without dreams - and that he can share it."
When this had been done, Caspian told the rest to sit down and laid the whole situation before them. When he / Page 161 / had finished there was a long silence and some whispering until presently the Master Bowman got to his feet, and said:
"What some of us have been wanting to ask for a long time, your Majesty, is how we're ever to get home when we do turn, whether we turn here or somewhere else. It's been west and north-west winds all the way, barring an occasional calm. And if that doesn't change, I'd like to know what hopes we have of seeing Narnia again. There's not much chance of supplies lasting while we row all that way."
"That's landsman's talk," said Drinian. "There's always a prevailing west wind in these seas all through the late summer, and it always changes after the New Year. We'll have plenty of wind for sailing westward; more than we shall like from all accounts."
"That's true, Master," said an old sailor who was a Galmian by birth. "You get some ugly weather rolling up from the east in January and February. And by your leave, Sire, if I was in command of this ship I'd say to winter here and begin the voyage home in March. "
"What'd you eat while you were wintering here?" asked Eustace.
"This table," said Ramandu, "will be filled with a king's feast every day at sunset."
"Now you're talking!" said several sailors.
"Your Majesties and gentlemen and ladies all," said Rynelf, "there's just one thing I want to say. There's not one of us chaps as was pressed on this journey. We're volunteers. And there's some here that are looking very hard at that table and thnking about king's feasts who were talking very loud about adventures on the day we sailed from Cair Paravel, and swearing they wouldn't come home till we'd found the end of the world."
THE VOYAGE OF THE DAWNTREADER
C. S. Lewis 1952
CHAPTER FOURTEEN
THE BEGINNING OF THE END OF THE WORLD
Page 160
"My lord," said the King to Drinian, "pray send two men back to the Dawn Treader with a message to the Lord Rhoop. Tell him that the last of his old shipmates are here asleep - a sleep without dreams - and that he can share it."
THE VOYAGE OF THE DAWNTREADER
C. S. Lewis 1952
Page 155
CHAPTER FOURTEEN
THE BEGINNING OF THE END OF THE WORLD
But Lucy, looking out from between the wings of the birds that covered her, saw one bird fly to the Old Man with something in its beak that looked like a little fruit, unless it was a little live coal, which it might have been, for it was too bright to look at. And the bird laid it in the Old Man's mouth.
Page 159
"When I set for the last time, decrepit and old beyond all that you can reckon, I was carried to this island. I am not so old now as I was then. Every morning a bird brings me a fire-berry from the valleys in the Sun, and each fire-berry takes away a little of my age. And when I have become as young as the child that was born yesterday, then I shall take my rising again (for we are at earth's eastern rim) and once more tread the great dance."
THE RIVER GOD
Wilbur Smith 1993
Page 47
"If I had known then how close my words would turn out to being the truth, I think I should have placed a live coal on my tongue before I spoke them."
HOLY BIBLE
Scofield References
Page 922
ISAIAH
C 6 V 6
6
Then flew one of the seraphims unto me, having a live coal in his hand, which he had taken with the tongs from off the altar:
7
And he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged.
GREAT PHILOSOPHIES OF THE EAST
E. W. F. Tomlin 1952
Page 159
"Like the conpilers of the Old Testament: the editors of the Rig-Veda anthology were,careful to preserve intact material beloning to different epochs, We are thus able to trace the development of the early Aryan, religious consciousness , just as a reading of early and later parts of the Bible affords us an enlarged conception of the nature of the Hebrew Yahve. There is wisdom in this refusal on the part of priestly guardians to suppress the primitive elements of their faith; for these are better kept well before the eye than allowed to fester, as the result of exision, in that uneasy corner to be found in the most devout conscience. Some of the vedic hymns are merely satirical, such as that addressed 'To Frogs', which is considered to be a satire on the priesthood; or straightforward vers de societe- such as that on the 'The Gambler', of whose ('dice dearer than soma') it is said:
Downward they roll, and then spring quickly upward, and handless, force
The man with hands to serve them.
Cast on the board, like lumps of magic charcoal, though cold themselves, they burn
The heart to ashes."
Daily Mail
Tuesday, April 14, 2009
Page 11
Hand of God
Eye in the sky: The Helix nebula
By Dan Newlin;
(Image omitted)
WE'VE already seen pictures of his eye ... now we have the first image of the hand of God.
The ghostly blue cloud seems to form an outstretched thumb and fingers grasping a burning lump of coal. This astonishing image was taken by Nasa's Chandra X-ray observatory, which is orbiting 360 miles above the Earth's surface.
It recalls those of the Helix planetary nebula, whose blue centre surrounded by white clouds earned it the nickname 'the eye of God'.
The hand was created when a star exploded in a supernova, creating a rapidly-spinning 12-mile-wide star called a pulsar, which is deep inside the white blob at the hand's wrist.
The pulsar is spewing out enormous amounts of electromagnetic energy, creating a dust and gas cloud so wide that it would take a light beam 150 years to cross from side to side.
The red disc is a separate cloud of gas. The fingers are thought to have been created as the energy passed from the pulsar to this gas cloud.
Nasa scientists estimate the moment depicted here actually happened 17,000 years ago. it has taken since then for the X-rays, travelling at 670million mph, to reach Earth.
Saturday, January 11th 2014
Gripping image of ‘the hand of God'
Page 11
FINGERS outstretched, it seems to reach forth into the heavens. No wonder scientists have nicknamed this dead star the hand of God The striking image was caught by Nasa’s Nuclear Spectroscopic Telescope Array, or NuStar. It shows a pulsar, the remnants of a dead star, 17,000 light years away’
The Hand of God is only 12 miles in diameter but rotates once a second, spewing particles as it turns.
NuStar has been circling Earth since 2012 to gather data on black holes.
Daily Mail
Saturday, January 11th 2014
Page 31
”...HAND...”
Daily Mail Reporter
”...hand...”
”...hand...”
”...hand...”
QUO VADIS
Quo vadis - Wikipedia, the free encyclopedia Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian ...
en.wikipedia.org/wiki/Quo_vadis
Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian tradition, related in the apocryphal Acts of Peter (Vercelli Acts XXXV), in which Saint Peter meets Jesus as Peter is fleeing from likely crucifixion in Rome. Peter asks Jesus the question; Jesus' answer, "I am going to Rome to be crucified again" (Eo Romam iterum crucifigi), prompts Peter to gain the courage to continue his ministry and eventually become a martyr.
The phrase also occurs a few times in the Vulgate translation of the Bible, notably including the occurrence in John 13:36 in which Peter also asks the question of Jesus, after the latter announces he is going to where his followers cannot come.
W |
= |
5 |
- |
7 |
WHITHER |
91 |
46 |
|
G |
= |
7 |
- |
5 |
GOEST |
66 |
21 |
|
T |
= |
2 |
- |
4 |
THOU |
64 |
19 |
|
B |
- |
14 |
|
16 |
First Total |
221 |
86 |
5 |
- |
- |
1+4 |
- |
1+6 |
Add to Reduce |
2+2+1 |
8+6 |
- |
- |
- |
5 |
- |
7 |
Second Total |
5 |
14 |
5 |
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
5 |
5 |
5 |
Quo Vadis. I fled by night and in the grey of dawn met on the lonely
way a man I knew but could not name. He said “Good morning”, I the same .. rtnl.org.uk/now_and_then/html/242.html
Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.
Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from
the Bible (John 13:36, 16:5). ...
en.wikipedia.org/wiki/Quo_Vadis -
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
STAR |
58 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
5 |
DAVID |
40 |
22 |
4 |
B |
- |
13 |
|
14 |
Add to Reduce |
|
|
|
- |
- |
1+3 |
- |
1+4 |
Reduce to Deduce |
1+5+2 |
6+2 |
1+7 |
- |
- |
4 |
- |
5 |
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SONG |
55 |
10 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
5 |
DAVID |
40 |
22 |
4 |
B |
- |
13 |
|
14 |
First Total |
|
|
|
- |
- |
1+3 |
- |
1+4 |
Add to Reduce |
1+4+9 |
5+9 |
1+4 |
- |
- |
4 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
5 |
|
|
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
4 |
ROOT |
68 |
23 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
9 |
OFFSPRING |
110 |
56 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
5 |
DAVID |
40 |
22 |
4 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
B |
= |
2 |
- |
6 |
BRIGHT |
64 |
37 |
1 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
- |
7 |
MORNING |
90 |
45 |
9 |
S |
= |
1 |
- |
4 |
STAR |
58 |
13 |
4 |
- |
- |
|
- |
|
First Total |
|
|
|
- |
- |
5+1 |
- |
5+8 |
Add to Reduce |
6+3+0 |
2+9+7 |
6+3 |
Q |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
1+3 |
Reduce to Deduce |
- |
1+8 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
THE DIVINE INVASION
Phillip Dick 1981
"The time you have waited for has come. The work is complete: the final world is here.
He has been transplanted and is alive."
-Mysterious voice in the night
Page 85
'What's wrong?' Elias put his arm around the boy and lifted him up to hold him. 'I've never seen you so upset.'
'He listened to that while my mother was dying!' Emmanuel stared into Elias's bearded face.
I remember, Emmanuel said to himself. I am beginning to remember who I am.
Elias said, 'What is it?' He held the boy tight.
It is happening, Emmanuel realized. At last. That was the first of the signal that I - I myself - prepared. Knowing it would eventually fire.
The two of them gazed into each other's faces. Neither the boy nor the man spoke. Trembling, Emmanuel clung to the old bearded man; he did not let himself fall.
'Do not fear,' Elias said.
'Elijah,' Emmanuel said. 'You are Elijah who comes first. Before the great and terrible day.'
Elias, holding the boy and rocking him gently, said, 'You have nothing to fear on that day.'
'But he does,' Emmanuel said. 'The Adversary whom' we hate. His time has come. I fear for him, knowing as I do, now, what is ahead.'
'Listen,' Elias said quietly.
How you have fallen from heaven, bright morning star, felled to the earth, sprawling helpless across the nations! You thought in your own mind, I will scale the heavens; I will set my throne high above the stars of God, I will sit on the mountain where the gods meet in the far recesses of the north. I will rise high above the cloud-banks and make myself like the Most High. Yet you shall be brought down to Sheol, to the depths of the abyss. Those who see you will stare at you, they will look at you and ponder. . .
Page 86
'You see?' Elias said. 'He is here. This is his place, this little world. He made it his fortress two thousand years ago, and set up a prison for the people as he did in Egypt.
For two thousand years the people have been crying and there was no response, no aid. He has them all. He'll thinks he is safe.'
Emmanuel, clutching the old man, began to cry.
'Still afraid?' Elias said.
Emmanuel said, 'I cry with them. I cry with my mother.
I cry with the dying dog who did not cry. I cry for them. And for Belial who fell, the bright morning star. Fell from heaven and began it all.'
And, he thought, I cry for myself. I am my mother; I am the dying dog and the suffering people, and I, he thought, am that bright morning star, too. . . even Belial; I am that and what it has become.
That's one small step for a man, a giant leap for mankind
phrases.org.uk/meanings/324100.html
That's one small step for a man, a giant leap for mankind - the meaning and origin of this saying.
"That's one small step for man, one giant leap for mankind."
Neil Armstrong - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Neil_Armstrong
A participant in the U.S. Air Force's Man in Space Soonest and X-20 Dyna-Soar human ..... "That's one small step for [a] man, one giant leap for mankind". Sorry ...
Neil Armstrong
From Wikipedia, the free encyclopedia
For other people named Neil Armstrong, see Neil Armstrong (disambiguation).
This is a good article. Click here for more information.Page semi-protected
Neil Armstrong[1]
Photo of Neil Armstrong, July 1969, in space suit with the helmet off
Armstrong in July 1969
Neil Armstrong Signature.svg
NASA Astronaut
Other names Neil Alden Armstrong
Nationality American
Status Deceased
Born August 5, 1930
Wapakoneta, Ohio, U.S.
Died August 25, 2012 (aged 82)
Cincinnati, Ohio, U.S.
Previous occupation Naval aviator, test pilot
Time in space 8 days, 14 hours, 12 minutes, and 30 seconds
Selection 1958 USAF Man In Space Soonest
1960 USAF Dyna-Soar
1962 NASA Group 2
Total EVAs 1
Total EVA time 2 hours 31 minutes
Missions Gemini 8, Apollo 11
Mission insignia Ge08Patch orig.png Apollo 11 insignia.png
Awards Presidential Medal of Freedom Congressional Space Medal of Honor
Neil Alden Armstrong (August 5, 1930 – August 25, 2012) was an American astronaut and the first person to walk on the Moon. He was also an aerospace engineer, naval aviator, test pilot, and university professor. Before becoming an astronaut, Armstrong was an officer in the U.S. Navy and served in the Korean War. After the war, he earned his bachelor's degree at Purdue University and served as a test pilot at the National Advisory Committee for Aeronautics High-Speed Flight Station, now known as the Dryden Flight Research Center, where he logged over 900 flights. He later completed graduate studies at the University of Southern California.
A participant in the U.S. Air Force's Man in Space Soonest and X-20 Dyna-Soar human spaceflight programs, Armstrong joined the NASA Astronaut Corps in 1962. He made his first space flight, as command pilot of Gemini 8, in 1966, becoming NASA's first civilian astronaut to fly in space. On this mission, he performed the first docking of two spacecraft, with pilot David Scott.[2]
Armstrong's second and last spaceflight was as mission commander of the Apollo 11 moon landing, in July 1969. On this mission, Armstrong and Buzz Aldrin descended to the lunar surface and spent two and a half hours exploring, while Michael Collins remained in lunar orbit in the Command Module. Along with Collins and Aldrin, Armstrong was awarded the Presidential Medal of Freedom by President Richard Nixon; President Jimmy Carter presented Armstrong the Congressional Space Medal of Honor in 1978; he and his former crewmates received the Congressional Gold Medal in 2009.
Armstrong died in Cincinnati, Ohio, on August 25, 2012, at the age of 82, after complications from coronary artery bypass surgery.[3][4
The landing on the surface of the Moon occurred several seconds after 20:17:40 UTC on July 20, 1969,[74] at which time one of three 67-inch (1.7 m)-long probes attached to three of the Lunar Module's four legs made contact with the surface, a panel light inside the LM lit up, and Aldrin called out, "Contact light." Armstrong shut the engine off and said, "shutdown." As the LM settled onto the surface, Aldrin said, "Okay. Engine stop", then they both called out some post-landing checklist items. After a ten-second pause, Duke acknowledged the landing with, "We copy you down, Eagle." Armstrong announced the landing to Mission Control and the world with the words, "Houston, Tranquility Base here. The Eagle has landed." Aldrin and Armstrong celebrated with a brisk handshake and pat on the back before quickly returning to the checklist of tasks needed to ready the lunar module for liftoff from the Moon should an emergency unfold during the first moments on the lunar surface.[75][76][77] After Armstrong had confirmed touch-down, Duke re-acknowledged, and expressed the flight controllers' anxiety: "Roger, ... Tranquility. We copy you on the ground. You got a bunch of guys about to turn blue. We're breathing again. Thanks a lot.".[72]
First Moon walk
See also: Apollo 11—Lunar surface operations
"That's one small step for [a] man, one giant leap for mankind"
MENU0:00
Problems playing this file? See media help.
Although the official NASA flight plan called for a crew rest period before extra-vehicular activity, Armstrong requested that the EVA be moved to earlier in the evening, Houston time. Once Armstrong and Aldrin were ready to go outside, Eagle was depressurized, the hatch was opened and Armstrong made his way down the ladder first.
At the bottom of the ladder, Armstrong said "I'm going to step off the LEM now" (referring to the Apollo Lunar Module). He then turned and set his left boot on the surface at 2:56 UTC July 21, 1969,[78] then spoke the famous words "That's one small step for [a] man, one giant leap for mankind."[79]
File:A11v 1092338.ogg
Armstrong describes
the lunar surface.
Armstrong did not prepare his famous epigram in advance. In a 1983 interview with George Plimpton in Esquire Magazine, it was revealed that Armstrong "had produced the lines on his own...and the words were composed not on the long trip up there, as had been supposed by most of his colleagues, nor beforehand but after the actual landing of Eagle on the moon's surface."
STORM ON THE SUN
HOW THE SUN AFFECTS LIFE ON EARTH
Joseph Goodavage
1979
Page 5
THE STAR
Chapter
1
"Eliminate the impossible. Whatever remains, however improbable must be true"
Sherlock Holmes
The Seven Secrets of How toThink Like a Rocket Scientist
As Sherlock Holmes told Dr. Watson, “When you eliminate the impossible—whatever remains—however improbable, must be true.” I submit that it would be ...
www.scribd.com/.../The-Seven-Secrets-of-How-toThink-Like-a-Rocket-Scientist -
Adherents.com - Religious Groups in Literature
The Sherlock Holmes maxim: Eliminate the impossible; whatever remains, however improbable, must be true. " literature - Sherlock Holmes, galaxy, 2365 ... www.adherents.com/lit/Na/Na_301.html -
UNDERSTANDING THE PRESENT
Bryan Appleyard
1992
science and the soul of modern man
Page 152
"There was even something symbolically magical about the way Planck arrived at the number. He discovered it simply as a way of solving equations rather than via any route through the intuitively possible or the experimentally observable. This evokes the method of that fictional hero of the age of science, Sherlock Holmes, as he affirms it to the long-suffering Dr Watson in The Sign of Four in 1889. 'How often', he asks impatiently, 'have I said to you that when you have eliminated the impossible, what- ever remains, however improbable, must be the truth.'5
However improbable. . . anybody not shocked by quantum mechanics, Niels Bohr was later to say, has not understood it. Erwin Schrodinger was to describe the truths of the new physics as not quite as meaningless as a triangular circle, but much more so than a winged lion. The underlying message of both remarks was that quantum physics could not be made to accord with common sense or intuition. It was bizarre, absurd. Unfortunately it just had to be true, the numbers said so. Newton and Galileo had prepared us for this by showing that the truth lay in universal laws that lay far beyond the limits of our everyday perception. But their versions of those laws still lay well within the range of the intuitive. What was to emerge from quantum theory was to challenge our ability even to guess at the true nature of the world."
'How often', he asks impatiently, 'have I said to you that when you have eliminated the impossible, what- ever remains, however improbable, must be the truth
TELEGRAPH WEEKEND
CHESS
David Norwood
Saturday September 27, 2003
"Examines the evidence in the case of the chess playing sleuth"
TO QUOTE SHERLOCK
"WHEN YOU HAVE ELIMINATED THE IMPOSSIBLE WHAT REMAINS , HOWEVER IMPROBABLE, MUST BE THE TRUTH."
DAILY MAIL
WEEKEND
Saturday 15 July 2006
Your Week Ahead
Jonathan Cainer
Page 85 (number omitted)
"TAURUS Apr 21 - May 21: 'When you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth.' Sir Arthur Conan Doyle gave these words to Sherlock Holmes. You don't, though, have to be a great detective in order to see their relevance in your life this week. Something seemingly far-fetched is taking place. The more you try to understand it, the more confused you become. Surely, something can't really be happening or someone has got hold of the wrong end of the stick. Really, though;you had best believe the evidence of your own eyes. What's happening may be very strange but it is very positive."
Daily Mail, Monday, January 13. 2014
Sherlock’s new foe and more evidence of left wing-bias
By Tom Kelly
“THE inspiration for Sherlock's new nemesis? Well that’s elementary.”
“Sherlock Holmes”
“John Watson”
“Sherlock”
“Sherlock”
“Sherlock”
“Sherlock”
“It is elementary my dear Watson,”
The 10 Most Famous Sherlock Holmes Quotes
www.bestofsherlock.com/top-10-sherlock-quotes.htm
When you have eliminated the impossible, whatever. - ... (#3). "You will not apply my precept," he said, shaking his head. "How often have I said to ...
Excellent! I cried ... - You know my methods, Watson.
When you have eliminated the impossible, whatever... (#3)
"You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible, whatever remains, however improbable, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. When, then, did he come?"
The Sign of the Four, ch. 6 (1890)
Sherlock Holmes in The Sign of the Four (Doubleday p. 111)
"YOU WILL NOT APPLY MY PRECEPT," HE SAID, SHAKING HIS HEAD.
"HOW OFTEN HAVE I SAID TO YOU THAT WHEN YOU HAVE ELIMINATED THE IMPOSSIBLE,
WHATEVER REMAINS, HOWEVER IMPROBABLE, MUST BE THE TRUTH?"
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3 |
YOU |
61 |
16 |
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7 |
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5 |
WILL |
56 |
20 |
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2 |
NOT |
49 |
13 |
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3 |
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4 |
|
70 |
25 |
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7 |
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2 |
MY |
38 |
11 |
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5 |
|
3 |
|
83 |
38 |
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3 |
HE |
13 |
13 |
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5 |
SAID |
33 |
15 |
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2 |
SHAKING |
69 |
33 |
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3 |
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4 |
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36 |
18 |
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2 |
HEAD |
18 |
18 |
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49 |
|
35 |
|
526 |
220 |
58 |
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3 |
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46 |
19 |
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5 |
|
60 |
24 |
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4 |
|
36 |
18 |
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1 |
|
9 |
9 |
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1 |
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4 |
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33 |
15 |
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2 |
|
35 |
8 |
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3 |
YOU |
61 |
16 |
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7 |
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4 |
THAT |
49 |
13 |
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4 |
WHEN |
50 |
23 |
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|
3 |
YOU |
61 |
16 |
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7 |
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|
4 |
|
36 |
18 |
|
|
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|
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|
|
|
5 |
|
10 |
|
92 |
47 |
|
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|
|
3 |
THE |
33 |
15 |
|
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|
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|
10 |
IMPOSSIBLE |
119 |
47 |
|
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|
|
5 |
|
8 |
|
102 |
39 |
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7 |
REMAINS |
79 |
34 |
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7 |
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|
7 |
HOWEVER |
96 |
42 |
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9 |
|
10 |
|
93 |
48 |
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4 |
MUST |
73 |
10 |
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|
2 |
|
2 |
|
7 |
7 |
|
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|
7 |
|
|
|
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|
3 |
THE |
33 |
15 |
|
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4 |
TRUTH |
87 |
24 |
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|
120 |
|
106 |
|
1290 |
507 |
111 |
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|
First Total |
1816 |
727 |
169 |
|
|
|
|
|
|
|
|
|
|
|
|
9+4 |
|
7+4 |
Add to Reduce |
1+8+1+6 |
7+2+7 |
1+6+9 |
|
|
1+0 |
|
1+2 |
|
4+8 |
4+2 |
|
4+5 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+1 |
Reduce to Deduce |
1+6 |
1+6 |
1+6 |
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
Essence of Number |
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|
The 10 Most Famous Sherlock Holmes Quotes
www.bestofsherlock.com/top-10-sherlock-quotes.htm
"You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible, whatever remains, however improbable, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. When, then, did he come?"
The Sign of the Four, ch. 6 (1890) Sherlock Holmes in The Sign of the Four (Doubleday p. 111)
"YOU WILL NOT APPLY MY PRECEPT," HE SAID, SHAKING HIS HEAD. "HOW OFTEN HAVE I SAID TO YOU THAT WHEN YOU HAVE ELIMINATED THE IMPOSSIBLE, WHATEVER REMAINS, HOWEVER IMPROBABLE, MUST BE THE TRUTH? WE KNOW THAT HE DID NOT COME THROUGH THE DOOR, THE WINDOW, OR THE CHIMNEY!. WE ALSO KNOW THAT HE COULD NOT HAVE BEEN CONCEALED IN THE ROOM AS THERE IS NO CONCEALMENT POSSIBLE!.
WHEN THEN DID HE COME?.”
We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. When, then, did he come?"
WE KNOW THAT HE DID NOT COME THROUGH THE DOOR, THE WINDOW, OR THE CHIMNEY!.
WE ALSO KNOW THAT HE COULD NOT HAVE BEEN CONCEALED IN THE ROOM AS THERE IS NO CONCEALMENT POSSIBLE!.
WHEN THEN DID HE COME?.”
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2 |
WE |
28 |
10 |
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4 |
KNOW |
63 |
18 |
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4 |
THAT |
49 |
13 |
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8 |
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2 |
|
13 |
13 |
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3 |
DID |
17 |
17 |
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5 |
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3 |
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49 |
13 |
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4 |
COME |
36 |
18 |
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7 |
THROUGH |
97 |
43 |
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7 |
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3 |
THE |
33 |
15 |
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4 |
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4 |
|
52 |
25 |
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7 |
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3 |
THE |
33 |
15 |
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6 |
WINDOW |
88 |
34 |
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7 |
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2 |
OR |
33 |
15 |
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3 |
THE |
33 |
15 |
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7 |
CHIMNEY |
77 |
41 |
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|
55 |
|
57 |
|
701 |
305 |
89 |
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2 |
WE |
28 |
10 |
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3 |
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47 |
11 |
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5 |
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63 |
18 |
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4 |
THAT |
49 |
13 |
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8 |
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2 |
|
13 |
13 |
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1 |
|
55 |
19 |
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5 |
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4 |
|
49 |
13 |
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2 |
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36 |
18 |
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3 |
BEEN |
26 |
17 |
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8 |
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4 |
CONCEALED |
62 |
35 |
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8 |
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4 |
IN |
23 |
14 |
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3 |
THE |
33 |
15 |
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3 |
ROOM |
61 |
25 |
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7 |
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4 |
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20 |
2 |
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2 |
|
10 |
|
56 |
29 |
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3 |
IS |
28 |
10 |
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10 |
NO |
29 |
11 |
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3 |
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8 |
|
105 |
42 |
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6 |
POSSIBLE |
97 |
34 |
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7 |
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|
86 |
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79 |
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880 |
349 |
88 |
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4 |
WHEN |
50 |
23 |
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4 |
THEN |
47 |
20 |
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3 |
DID |
17 |
17 |
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8 |
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2 |
|
13 |
13 |
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4 |
COME |
36 |
18 |
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22 |
|
17 |
|
163 |
91 |
28 |
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First Total |
1744 |
745 |
205 |
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|
1+6+3 |
|
1+5+3 |
Add to Reduce |
1+7+4+4 |
7+4+5 |
2+0+5 |
|
|
1+0 |
|
2+8 |
1+5 |
3+6 |
3+5 |
3+2 |
4+5 |
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Second Total |
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|
|
1+0 |
|
|
Reduce to Deduce |
1+6 |
1+6 |
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|
|
|
|
1+0 |
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|
Essence of Number |
|
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|
CHEIRO'S BOOK OF NUMBERS
Circa 1926
Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.
The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE
QUESTION
HAS BEEN ASKED AGAIN AND AGAIN
IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE
THE TIDE AT THE
FLOOD
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
Q |
= |
8 |
- |
8 |
QUESTION |
120 |
39 |
3 |
H |
= |
8 |
- |
3 |
HAS |
28 |
10 |
1 |
B |
= |
2 |
- |
4 |
BEEN |
26 |
17 |
8 |
A |
= |
1 |
- |
5 |
ASKED |
40 |
13 |
4 |
A |
= |
1 |
- |
5 |
AGAIN |
32 |
23 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
5 |
AGAIN |
32 |
23 |
5 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
5 |
THERE |
56 |
29 |
2 |
S |
= |
1 |
- |
4 |
SOME |
52 |
16 |
7 |
M |
= |
4 |
- |
5 |
MEANS |
52 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
K |
= |
2 |
- |
7 |
KNOWING |
93 |
39 |
3 |
W |
= |
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
- |
6 |
MOMENT |
80 |
26 |
8 |
H |
= |
8 |
- |
3 |
HAS |
28 |
10 |
1 |
C |
= |
3 |
- |
4 |
COME |
36 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
T |
= |
2 |
- |
4 |
TAKE |
37 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
T |
= |
2 |
- |
4 |
TIDE |
38 |
20 |
2 |
A |
= |
1 |
- |
2 |
AT |
21 |
3 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
- |
5 |
FLOOD |
52 |
25 |
7 |
B |
- |
87 |
|
104 |
First Total |
|
|
|
- |
- |
8+7 |
- |
1+0+4 |
Add to Reduce |
1+1+0+8 |
4+6+0 |
1+1+8 |
- |
- |
15 |
- |
5 |
Second Total |
|
|
|
- |
- |
1+5 |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
11 |
SORROW |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
11 |
DESCENDANTS |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
CONSISTED |
108 |
36 |
9 |
9 |
NARRATIVE |
108 |
36 |
9 |
9 |
SEQUENCES |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
9 |
AMBIGUOUS |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
THE LURE AND ROMANCE OF ALCHEMY.
A history of the secret link between magic and science
1990
C. J. S.Thompson
Page# 31 / 32
note 1 Julius Ruska ,Tabula Smaragdini 1926
"THE EMERALD TABLE OF HERMES: "
"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
I
SAY
IS THIS THE OTHER SIDE OF THE GREAT DIVIDE
?
NO ITS OVER THERE
I
HAVE JUST BEEN OVER THERE AND THEY SAID ITS OVER HERE
Did Spacemen Colonise the Earth?
Robin Collyns 1974
Page 206
"FINIS"
THE MAGIC MOUNTAIN
Thomas Mann 1924
THE THUNDERBOLT
Page 715
"There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly:
"And loving words I've carven
Upon its branches fair-"
He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone.
Shame of our shadow-safety! Away! No more!-But our friend? Was he hit? He thought so, for the moment. A great clod of earth struck him on the shin, it hurt, but he smiles at it. Up he gets, and staggers on, limping on his earth-bound feet, all unconsciously singing:
"Its waving branches whiispered
A message in my ear -"
and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight.
Farewell, honest Hans Castorp, farewell, Life's delicate child!
Your tale is told. We have told it to the end, and it was neither short nor long, but hermetic. We have told it for its own sake, not for yours, for you were simple. But after all, it was your story, it befell you, you must have more in you than we thought; we will not disclaim the pedagogic weakness we conceived for / Page 716 / you in the telling; which could even lead us to press a finger delicately to our eyes at the thought that we shall see you no more, hear you no more for ever.
Farewell - and if thou livest or diest! Thy prospects are poor. The desperate dance, in which thy fortunes are caught up, will last yet many a sinful year; we should not care to set a high stake on thy life by the time it ends. We even confess that it is without great concern we leave the question open. Adventures of the flesh and in the spirit, while enhancing thy simplicity, granted thee to know in the spirit what in the flesh thou scarcely couldst have done. Moments there were, when out of death, and the rebellion of the flesh, there came to thee, as thou tookest stock of thyself, a dream of love. Out of this universal feast of death, out of this extremity of fever, kindling. the rain-washed evening sky to a fiery glow, may it be that Love one day shall mount?
FINIS OPERIS